Academia 📖

If We Were Villains A Novel

M. L. Rio · 2018

<p><b>“Much like Donna Tartt’s <i>The Secret History</i>, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.”<br>—Cynthia D’Aprix Sweeney, <i>New York Times</i> bestselling author of <i>The Nest<br></i></b><br><b>"Nerdily (and winningly) in love with Shakespeare...Readable, smart.”</b><br><b>—<i>New York Times Book Review</i></b><br><br>On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.<br><br>A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. <br><br>But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. <br><br><i>If We Were Villains</i> was named one of Bustle's Best Thriller Novels of the Year, and <i>Mystery Scene</i> says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."</p>

The Picture of Dorian Grey

Oscar Wild · 2019

The Secret History

Donna Tartt · 1992

<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>

Dracula

Bram Stoker · 2000

Frankenstein: The 1818 Text

Mary Shelley · 2018

<b>Mary Shelley’s classic novel, presented in its original 1818 text, with an introduction from National Book Critics Circle award-winner Charlotte Gordon</b><br>  <br> <b>Nominated as one of America’s best-loved novels by PBS’s <i>The Great American Read</i></b><br>  <br>The original 1818 text of <i>Frankenstein</i> preserves the hard-hitting and politically-charged aspects of Shelley’s original writing, as well as her unflinching wit and strong female voice. This edition also emphasizes Shelley’s relationship with her mother—trailblazing feminist Mary Wollstonecraft, who penned <i>A Vindication of the Rights of Woman</i>—and demonstrates her commitment to carrying forward her mother’s ideals, placing her in the context of a feminist legacy rather than the sole female in the company of male poets, including Percy Shelley and Lord Byron.<br>  <br> This edition includes a new introduction and suggestions for further reading by National Book Critics Circle award-winner and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson. <br>  <br>Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Never Let Me Go

Kazuo Ishiguro · 2006

<b>NOBEL PRIZE WINNER <b>•</b> From the acclaimed, bestselling author of <i>The Remains of the Day</i> comes “a Gothic tour de force" (<i>The New York Times</i>) with an extraordinary twist—a moving, suspenseful, beautifully atmospheric modern classic.<br><br>One of <i>The New York Times</i>’s 10 Best Books of the 21st Century • A <i>Kirkus Reviews </i>Best Fiction Book of the Century • A <i>Los Angeles Times</i> Best Fiction Book of the Last 30 Years</b><br><br>As children, Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were. <br><br>Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special—and how that gift will shape the rest of their time together.

Bunny A Novel

Mona Awad · 2020

The Invisible Life of Addie LaRue

V. E. Schwab · 2023

Gifted and Talented

Olivie Blake · 2025

Babel Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution

R. F. Kuang · 2022

Instant #1 New York Times Bestseller from the author of The Poppy War   “Absolutely phenomenal. One of the most brilliant, razor-sharp books I've had the pleasure of reading that isn't just an alternative fantastical history, but an interrogative one; one that grabs colonial history and the Industrial Revolution, turns it over, and shakes it out.” -- Shannon Chakraborty, bestselling author of The City of Brass From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire. Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide… Can powerful institutions be changed from within, or does revolution always require violence?