
all-time favs 📖⋆.⚚.⋆꩜.ᐟ
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No Longer Human
Osamu Dazai · 1973
<p> Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. </p><p>Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.</p><p>Still one of the ten bestselling books in Japan, No Longer Human is an important and unforgettable modern classic: "The struggle of the individual to fit into a normalizing society remains just as relevant today as it was at the time of writing." (The Japan Times)</p>

The Song of Achilles: A Novel
Madeline Miller · 2012
A New York Times Bestseller<br/>“At once a scholar’s homage to The Iliad and startlingly original work of art….A book I could not put down.” —Ann Patchett, author of The Dutch House<br/>A thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War from the bestselling author of Circe<br/>A tale of gods, kings, immortal fame, and the human heart, The Song of Achilles is a dazzling literary feat that brilliantly reimagines Homer’s enduring masterwork, The Iliad. An action-packed adventure, an epic love story, a marvelously conceived and executed page-turner, Miller’s monumental debut novel has already earned resounding acclaim from some of contemporary fiction’s brightest lights—and fans of Mary Renault, Bernard Cornwell, Steven Pressfield, and Colleen McCullough’s Masters of Rome series will delight in this unforgettable journey back to ancient Greece in the Age of Heroes.<br/>“A captivating retelling of The Iliad and events leading up to it through the point of view of Patroclus: it’s a hard book to put down, and any classicist will be enthralled by her characterisation of the goddess Thetis, which carries the true savagery and chill of antiquity.” — Donna Tartt, The Times

The Picture of Dorian Gray
Oscar Wilde · 2021

The Myth of Sisyphus (Vintage International)
Albert Camus · 2018

Meditations: A New Translation
Marcus Aurelius · 2003

Alice in Wonderland
Lewis Carroll · 2024

The Raven Boys
Maggie Stiefvater · 2013

Smoke Gets in Your Eyes
Caitlin Doughty · 2015

Dark Rise (Dark Rise, 1)
C. S. Pacat · 2022

The Secret History
Donna Tartt · 1992
<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>
Lendo

If We Were Villains: A Novel
M. L. Rio · 2018
<p><b>“Much like Donna Tartt’s <i>The Secret History</i>, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.”<br>—Cynthia D’Aprix Sweeney, <i>New York Times</i> bestselling author of <i>The Nest<br></i></b><br><b>"Nerdily (and winningly) in love with Shakespeare...Readable, smart.”</b><br><b>—<i>New York Times Book Review</i></b><br><br>On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.<br><br>A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. <br><br>But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. <br><br><i>If We Were Villains</i> was named one of Bustle's Best Thriller Novels of the Year, and <i>Mystery Scene</i> says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."</p>
