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El exilio y el reino / Exile and the Kingdom

Albert Camus

Mrs Dalloway

Virginia Woolf

The Picture of Dorian Gray

Oscar Wilde

The Stranger

Albert Camus

The Metamorphosis

Franz Kafka

The Metamorphosis is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka himself never gave an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repulsed by the horrible, verminous creature Gregor has become.

No Longer Human

Osamu Dazai

<p> Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. </p><p>Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.</p><p>Still one of the ten bestselling books in Japan, No Longer Human is an important and unforgettable modern classic: "The struggle of the individual to fit into a normalizing society remains just as relevant today as it was at the time of writing." (The Japan Times)</p>

White Nights

Fyodor Dostoyevsky

Poesía completa

Alejandra Pizarnik

Nuestra parte de noche

Mariana Enriquez

Convenience Store Woman: A Novel

Sayaka Murata

Una historia sobre la conformidad social y la identidad, escrita por Sayaka Murata.

The Vegetarian

Han Kang

<b>FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE</b><br><br><b>“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize</b><br><br><b><i>A NEW YORK TIMES</i> BESTSELLER</b><br><b>WINNER OF THE INTERNATIONAL BOOKER PRIZE </b><br><b>ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY<br>A <i>KIRKUS REVIEWS </i>BEST FICTION BOOK OF THE CENTURY</b><br><br><b>“Ferocious.”—<i>The New York Times Book Review</i> (Ten Best Books of the Year)</b><br><b>“Both terrifying and terrific.”—Lauren Groff</b><br><b>“Provocative [and] shocking.”—<i>The Washington Post</i></b><br><br>Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. <br><br>Celebrated by critics around the world, <i>The Vegetarian</i> is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.<br><b><br>A Best Book of the Year: <i>BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly</i></b>

Salvo mi corazón, todo esta bien

Héctor Abad Faciolince

Lapvona

Moshfegh Otessa

Prohibido suicidarse en primavera

Alejandro Casona

My Year of Rest and Relaxation: A Novel

Ottessa Moshfegh

Named a Best Book of the Year by The Washington Post, Time, NPR, Vice, Bustle, The New York Times, The Guardian, Kirkus Reviews, Entertainment Weekly, The AV Club, & Audible A New York Times Bestseller • New York Times Readers Pick: 100 Best Books of the 21st Century “One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed b*tcheries somehow wend their way through sad and funny and strange toward something genuinely profound.” — Entertainment Weekly “Darkly hilarious . . . [Moshfegh’s] the kind of provocateur who makes you laugh out loud while drawing blood.” —Vogue From one of our boldest, most celebrated new literary voices, a novel about a young woman's efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes. Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

If We Were Villains: A Novel

M. L. Rio

<p><b>“Much like Donna Tartt’s <i>The Secret History</i>, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.”<br>—Cynthia D’Aprix Sweeney, <i>New York Times</i> bestselling author of <i>The Nest<br></i></b><br><b>"Nerdily (and winningly) in love with Shakespeare...Readable, smart.”</b><br><b>—<i>New York Times Book Review</i></b><br><br>On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.<br><br>A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. <br><br>But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. <br><br><i>If We Were Villains</i> was named one of Bustle's Best Thriller Novels of the Year, and <i>Mystery Scene</i> says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."</p>

The Secret History

Donna Tartt

<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>

A Little Life

Hanya Yanagihara

<b><i>NEW YORK TIMES</i> BESTSELLER • A stunning “portrait of the enduring grace of friendship” (<i>NPR</i>) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century.<br></b><br><b><b><b><b><b><b><b>NATIONAL BOOK AWARD FINALIST <b><b><b>•</b></b></b></b> MAN BOOKER PRIZE FINALIST <b>• <b><b><b><b><b> WINNER OF THE KIRKUS PRIZE</b></b></b></b></b></b></b></b></b></b></b></b><br><br><i>A Little Life</i> follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves.

The Bell Jar

Sylvia Plath

<p><i>The Bell Jar</i> chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made <i>The Bell Jar</i> a haunting American classic.</p> <p>This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.</p>

The Seven Husbands of Evelyn Hugo

Taylor Jenkins Reid

ANTES DE QUE SE ENFRIE EL CAFE

TOSHIKAZU KAWAGUCHI

Idea Vilariño - Poesía Completa

Kafka on the Shore

Haruki Murakami

A Certain Hunger

Chelsea G. Summers

1984

George Orwell

<b>Written more than 70 years ago, <i>1984</i> was George Orwell’s chilling prophecy about the future. And while 1984 has come and gone, his dystopian vision of a government that will do anything to control the narrative is timelier than ever...<br><br><b>• Nominated as one of America’s best-loved novels by PBS’s <i>The Great American Read •</i></b><br></b><br>“<i>The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.</i>”<br><br>Winston Smith toes the Party line, rewriting history to satisfy the demands of the Ministry of Truth. With each lie he writes, Winston grows to hate the Party that seeks power for its own sake and persecutes those who dare to commit thoughtcrimes. But as he starts to think for himself, Winston can’t escape the fact that Big Brother is always watching...<br><br>A startling and haunting novel, <i>1984</i> creates an imaginary world that is completely convincing from start to finish. No one can deny the novel’s hold on the imaginations of whole generations, or the power of its admonitions—a power that seems to grow, not lessen, with the passage of time.

Los peligros de fumar en la cama

Mariana Enriquez

Las cosas que perdimos en el fuego

Mariana Enriquez

The Unabridged Journals of Sylvia Plath

Sylvia Plath

PORQUE DEMASIADO NO ES SUFICIENTE

Mariana Enríquez

Just Kids

Patti Smith

<p> It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation. </p> <p> Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years. </p> <p> <i>Just Kids</i> begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame. </p>

La belleza del objeto cotidiano

Soetsu Yanagi

Al despertar, lo primero que percibimos es el tacto de nuestras sá banas, la luz con la que nos envuelve la lá mpara que encendemos, la forma y color de la vajilla del desayuno... Desde ese momento y hasta terminar el dí a, cuando cerramos de nuevo los ojos sobre el textil de la almohada, nuestro cuerpo se habrá topado y desenvuelto con una infinidad de objetos diversos. Se trata de cosas modestas, comunes y ordinarias, que usamos constantemente sin prestarles apenas atenció n. Pero los objetos son tambié n unos compañ eros constantes en nuestra vida y, como tales, afirma Soetsu Yanagi, deben hacerse con cuidado y fabricarse para que duren. Deben ser tratados con respeto e incluso afecto. Y deben aunar perfectamente belleza y utilidad. Soetsu Yanagi es un pensador imprescindible hasta ahora iné dito en castellano, y una de las voces clave del siglo XX en llamar la atenció n sobre el valor de los objetos cotidianos y la artesaní a anó nima. Este libro, que recopila los ensayos breves del crí tico japoné s, nos enseñ ará a mirar con nuevos ojos a nuestro alrededor y a admirar el increí ble valor material e intangible de las creaciones anó nimas, siempre bellas y honestas, que forman parte de nuestra vida cotidiana.

Cómo mandar a la mierda de forma educada

Alba Cardalda

Cómo Ganar Amigos e Influir Sobre Las Personas

Dale Carnegie

Hábitos atómicos

James Clear