Books
Items in this hypelist
Fantasy
Caraval (Caraval, 1)
Stephanie Garber · 2018
<p><b>Welcome, welcome to <i>CARAVAL</i>, Stephanie Garber’s enchanting, <i>NEW YORK TIMES</i> bestselling fantasy debut about two sisters swept up in a mysterious competition filled with magic, heartbreak, and danger</b><br><br>Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful and cruel father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over.<br><br> But this year, Scarlett's long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to attend. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season's Caraval revolves around Tella, and whoever finds her first is the winner. <br><br>Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But whether Caraval is real or not, she must find Tella before the five nights of the game are over, and her sister disappears forever.<br><br>Continue the adventure in <i>Legendary </i>and <i>Finale—</i>out now!</p>
Romance
They Both Die at the End
Adam Silvera · 2018
Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day.<br/>#1 New York Times bestseller * four starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A BuzzFeed Best YA Book of the Year * A BookPage Best YA Book of the Year<br/>On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today.<br/>Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day.<br/>In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.”<br/>Featuring a map of the novel’s characters and their connections, an exclusive essay by the author, and a behind-the-scenes look at the early outlines for this critically acclaimed bestseller.<br/>Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.
Books I need to consume
The Secret History
<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>
1984
George Orwell • 1961
<b>Written more than 70 years ago, <i>1984</i> was George Orwell’s chilling prophecy about the future. And while 1984 has come and gone, his dystopian vision of a government that will do anything to control the narrative is timelier than ever...<br><br><b>• Nominated as one of America’s best-loved novels by PBS’s <i>The Great American Read •</i></b><br></b><br>“<i>The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.</i>”<br><br>Winston Smith toes the Party line, rewriting history to satisfy the demands of the Ministry of Truth. With each lie he writes, Winston grows to hate the Party that seeks power for its own sake and persecutes those who dare to commit thoughtcrimes. But as he starts to think for himself, Winston can’t escape the fact that Big Brother is always watching...<br><br>A startling and haunting novel, <i>1984</i> creates an imaginary world that is completely convincing from start to finish. No one can deny the novel’s hold on the imaginations of whole generations, or the power of its admonitions—a power that seems to grow, not lessen, with the passage of time.
To Kill a Mockingbird
Harper Lee • 2002
Harper Lee's powerful novel on racial injustice and moral growth in the American South.
Crime and Punishment (Vintage Classics)
Fyodor Dostoevsky • 1993
<b>Hailed by <i>Washington Post Book World</i> as “the best [translation] currently available" when it was first published, this second edition of <i>Crime and Punishment </i>has been updated in honor of the 200th anniversary of Dostoevsky’s birth. • <b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME</b></b><br><br>With the same suppleness, energy, and range of voices that won their translation of <i>The Brothers Karamazov</i> the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of <i>Crime and Punishment, </i>Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel. <br><br>In <i>Crime and Punishment</i>, when Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is almost unequalled in world literature for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision. Dostoevsky’s drama of sin, guilt, and redemption transforms the sordid story of an old woman’s murder into the nineteenth century’s profoundest and most compelling philosophical novel.
