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The Apology of Socrates
Plato • 399 BC
Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.
The Count of Monte Cristo
Alexandre Dumas • 1846
Lapovna
Ottessa Moshfegh • 2022
Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.
Carmilla
Joseph Sheridan Le Fanu • 1872
The Monk
Matthew Lewis • 1796
The Heart of a Dog
Mikhail Bulgakov • 1925
Diary of a Superfluous Man
Ivan Turgenev • 1850
Ulysses
James Joyce • 1920
Ulysses by James JoyceThe ClasssicUlysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early twentieth century context of modernism, Dublin, and Ireland's relationship to Britain. The novel imitates registers of centuries of English literature and is highly allusive.
A Hero of Our Time
Mikhail Lermontov • 1840
Faust
Johann Wolfgang von Goethe • 1790
The Art of Rhetoric
Aristotle • 4th century BC
The Republic
Plato • 375 BC
The Republic is a Socratic dialogue by Plato, written in approximately 380 BC. It is one of the most influential works of philosophy and political theory, and Plato's best known work. In Plato's fictional dialogues the characters of Socrates as well as various Athenians and foreigners discuss the meaning of justice and examine whether the just man is happier than the unjust man by imagining a society ruled by philosopher-kings and the guardians. The dialogue also discusses the role of the philosopher, Plato's Theory of Forms, the place of poetry, and the immortality of the soul.
Three Essays on the Theory of Sexuality
Sigmund Freud • 1905
Dracula
Bram Stoker • 1897
The Divine Comedy
Dante Alighieri • 1321
Nausea
Jean-Paul Sartre • 1938
East of Eden
John Steinbeck • 1952
The Great Gatsby
F. Scott Fitzgerald • 1925
Heaven
Mieko Kawakami • 2009
War And Peace
Leo Tolstoy • 1869
The Death of Ivan Ilyich
Leo Tolstoy • 1886
Doctor Zhivago
Boris Pasternak • 1957
The Magic Mountain
Thomas Mann • 1924
To Read
A Clockwork Orange
Anthony Burgess • 1962
The Phantom of the Opera
Gaston Leroux • 1910
Baltasar and Blimunda
José Saramago • 1982
From José Saramago, Winner of the Nobel Prize for Literature, Baltasar and Blimunda is a "brilliant...enchanting novel" (The New York Times Book Review) of romance, deceit, religion, and magic set in eighteenth-century Portugal at the height of the Inquisition. Portugal, 1711: an amorous friar is pursued naked through the rubble-strewn streets of Lisbon; an enthusiastic procession of flagellants roars with pleasure over the damnation of adultery; a royal prince uses hapless sailors for target practice; and women dressed in colorful finery watch as lapsed converts and sorcerers are put to death by flames. In the midst of the terrors of the Inquisition and the plague, a seemingly mismatched couple discover the wonders of love. This poetic tale, graced with exquisite historical details and full of magic and adventure, is a tapestry of human folly and human will.
Pride and Prejudice
Jane Austen • 1813
The Gambler
Fyodor Dostoyevsky • 1866
The Castle
Franz Kafka • 1926
No Longer Human
Osamu Dazai • 1948
100 Years of Solitude
Gabriel Garcia Márquez • 1967
White Nights
Fyodor Dostoevsky • 1848
The Plague
Albert Camus • 1947
Animal Farm
George Orwell • 1945
Notes from the Underground
Fyodor Dostoyevsky • 1864
A Visit from the Goon Squad
Jennifer Egan • 2010
Les Misérables
Victor Hugo • 1862
Dead Souls
Nikolai Gogol • 1842
The Interpretation of Dreams
Sigmund Freud • 1899
The Myth of Sisyphus
Albert Camus • 1942
Lolita
Vladimir Nabokov • 1955
Awe and exhiliration--along with heartbreak and mordant wit--abound in <b>Lolita</b>, Nabokov's most famous and controversial novel, which tells the story of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. <b>Lolita</b> is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.
Anna Karenina
Leo Tolstoy • 1877
Madame Bovary
Gustave Flaubert • 1856
Reading
1984
George Orwell • 1949
75th ANNIVERSARY EDITION “Orwell saw, to his credit, that the act of falsifying reality is only secondarily a way of changing perceptions. It is, above all, a way of asserting power.”—The New Yorker In 1984, London is a grim city in the totalitarian state of Oceania where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be. Lionel Trilling said of Orwell’s masterpiece “1984 is a profound, terrifying, and wholly fascinating book. It is a fantasy of the political future, and like any such fantasy, serves its author as a magnifying device for an examination of the present.” Though the year 1984 now exists in the past, Orwell’s dystopian classic remains an urgent call for the individual willing to speak truth to power.
Demons
Fyodor Dostoevsky • 1872
Finished
Crime and Punishment
Fyodor Dostoevsky • 1866
<b>Hailed by <i>Washington Post Book World</i> as “the best [translation] currently available" when it was first published, this second edition of <i>Crime and Punishment </i>has been updated in honor of the 200th anniversary of Dostoevsky’s birth. • <b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME</b></b><br><br>With the same suppleness, energy, and range of voices that won their translation of <i>The Brothers Karamazov</i> the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of <i>Crime and Punishment, </i>Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel. <br><br>In <i>Crime and Punishment</i>, when Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is almost unequalled in world literature for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision. Dostoevsky’s drama of sin, guilt, and redemption transforms the sordid story of an old woman’s murder into the nineteenth century’s profoundest and most compelling philosophical novel.
The Trial
Franz Kafka • 1925
<b>A brilliant translation of one of the most important novels of the twentieth century, revealing a tale that is as full of energy and power as it was when it was first written. From the author of <i>The Metamorphosis.<br></i></b><br>Written in 1914, <i>The Trial</i> is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.
The Secret History
Donna Tartt • 1992
<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>
The Maias
Eça de Queirós • 1888
The Idiot
Fyodor Dostoevsky • 1869
The Stranger
Albert Camus • 1942
Fathers and Sons
Ivan Turgenev • 1862
The Catcher in the Rye
J. D. Salinger • 1951
The Razor's Edge
W. Somerset Maugham • 1944
The Master and Margarita
Mikhail Bulgakov • 1967
The Picture of Dorian Gray
Oscar Wilde • 1890
The Brothers Karamazov
Fyodor Dostoevsky • 1880
