books read <3

The Seven Husbands of Evelyn Hugo A Novel

Taylor Jenkins Reid • 2018

<b><i>NEW YORK TIMES</i></b><b> BESTSELLER</b><br> <br><b>“If you</b>’<b>re looking for a book to take on holiday this summer, <i>The Seven Husbands of Evelyn Hugo</i> has got all the glitz and glamour to make it a perfect beach read.” —<i>Bustle</i></b><br> <br><b>From the <i>New York Times</i> bestselling author of <i>Daisy Jones & the Six</i>—an entrancing and “wildly addictive journey of a reclusive Hollywood starlet” (<i>PopSugar</i>) as she reflects on her relentless rise to the top and the risks she took, the loves she lost, and the long-held secrets the public could never imagine.</b><br><br>Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?<br> <br>Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.<br> <br>Summoned to Evelyn’s luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the ‘80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn’s story near its conclusion, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.<br> <br>“Heartbreaking, yet beautiful” (Jamie Blynn, <i>Us Weekly</i>), <i>The Seven Husbands of Evelyn Hugo </i>is “Tinseltown drama at its finest” (<i>Redbook</i>): a mesmerizing journey through the splendor of old Hollywood into the harsh realities of the present day as two women struggle with what it means—and what it costs—to face the truth.

These Violent Delights: A Novel

Micah Nemerever

The Raven Boys

Maggie Stiefvater

Blue Lily, Lily Blue

Maggie Stiefvater

The Dream Thieves

Maggie Stiefvater

The Raven King

Maggie Stiefvater

Malibu Rising

Taylor Jenkins Reid

Carrie Soto Is Back: A Novel

Taylor Jenkins Reid

Mistborn The Final Empire

Brandon Sanderson

A Game of Thrones

George R. R. Martin

Sharp Objects

Gillian Flynn

Gone Girl

Gillian Flynn

Unwind

Neal Shusterman

Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.

The Book Thief

Markus Zusak

<b>#1 <i>NEW YORK TIMES</i> BESTSELLER • ONE OF <i>TIME</i> MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME <b>• A <i>NEW YORK TIMES</i> READER TOP 100 PICK FOR BEST BOOKS OF THE 21ST CENTURY • A <i>KIRKUS REVIEWS</i> BEST YOUNG ADULT BOOK OF THE CENTURY</b><br><br>The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times.</b><br><br><i>When Death has a story to tell, you listen.</i><br><br>It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.<br><br>Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. <br><br>In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of <i>I Am the Messenger,</i> has given us one of the most enduring stories of our time.<br><br>“The kind of book that can be life-changing.” —<i>The New York Times</i><br><br>“Deserves a place on the same shelf with <i>The Diary of a Young Girl </i>by Anne Frank.” —<i>USA Today</i><br><br><b>DON’T MISS <i>BRIDGE OF CLAY</i>, MARKUS ZUSAK’S FIRST NOVEL SINCE <i>THE BOOK THIEF.</i></b>

Tommorow, and Tommorow, and Tommorow

Gabrielle Zevin

Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.

The Glass Castle: A Memoir

Jeannette Walls

The Shadow of the Wind

Carlos Ruiz Zafon

Aristotle and Dante Discover the Secrets of the Universe

Benjamin Alire Sáenz

Vicious

V. E. Schwab

Red Rising

Pierce Brown

The Kiss of Deception

Mary E. Pearson

Heartless

Marissa Meyer

When Villians Rise

Rebecca Scheffer

Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.