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O CASTELO

Franz Kafka • 2021

Chocolate quente às quintas-feiras

Michiko Aoyama • 2024

Alice No Pais Das Maravilhas

Carroll • unde

Coraline

Neil Gaiman • 2021

From #1 New York Times bestselling author Neil Gaiman, a critically acclaimed novel for readers of all ages in which a young girl discovers a passage to a world eerily similar yet darkly different from her own―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "One of the most truly frightening books ever written."―New York Times While exploring her new home, a young girl named Coraline unlocks a door to reveal a hidden passage. Intrigued, she ventures deep into a mysterious mirror realm, a world eerily similar yet darkly different from her own. Before long, the miraculous turns sinister, and Coraline must use her wits and courage to save herself―and the other trapped souls she finds along the way. Filled with enchantments and terrors alike, this winner of the Hugo, Nebula, and Bram Stoker Awards is a dazzling feat of imagination from a modern literary master. "Inventive, scary, thrilling, and finally affirmative."―Washington Post Book World

O Peso do Passaro Morto

Aline Bei • 2017

Frankenstein

Mary Shelley • 2018

Kafka on the shore

Haruki Murakami • 2005

ANGÚSTIA

Graciliano Ramos • 2024

Os Irmãos Karamazov

Fiódor Dostoiévski • 2023

Um Homem Em Declínio

Osamu Dazai • 2023

Você fica tão sozinho as vezes que até faz sentido

Charles Bukowski • 2018

Contos de fadas dos Irmãos Grimm

Irmãos Grimm • 2020

O idiota

Fiódor Dostoiévski e 1 mais • 2020

Maus.

Art Spiegelman • 1996

O Meu Pé de Laranja Lima.

_ •

Perto do Coração Selvagem

Clarice Lispector • 2000

Mia conto

Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.