
Fav Books
Items in this hypelist
Finished

O ceifador
Neal Shusterman · 2017
Primeiro mandamento: matarás. A humanidade venceu todas as barreiras: fome, doenças, guerras, miséria... Até mesmo a morte. Agora os ceifadores são os únicos que podem pôr fim a uma vida, impedindo que o crescimento populacional vá além do limite e a Terra deixe de comportar a população por toda a eternidade. Citra e Rowan são adolescentes escolhidos como aprendizes de ceifador — um papel que nenhum dos dois quer desempenhar. Para receberem o anel e o manto da Ceifa, os adolescentes precisam dominar a "arte" da coleta, ou seja, precisam aprender a matar. Porém, se falharem em sua missão — ou se a cumplicidade no treinamento se tornar algo mais —, podem colocar a própria vida em risco.

Cinco Júlias
Matheus Souza · 2019

Água Viva
Clarice Lispector · 2012
Lispector at her most philosophically radical. A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

White Nights
Fyodor Dostoevsky · 2025
White Nights is a delicate exploration of human emotions, dreams, and disillusionments, set against the melancholic backdrop of Saint Petersburg. Fyodor Dostoevsky crafts an introspective narrative that reveals the yearnings of a young dreamer whose solitary life takes on new meaning upon meeting Nastenka, a young woman equally shaped by hope and sorrow. The work reflects on the transient nature of encounters and the impact of dreams when confronted with reality. Since its publication, White Nights has been recognized for its lyrical sensitivity and profound psychological insight. Through a simple storyline, Dostoevsky delves into universal themes such as idealized love, loneliness, and the desire for connection, making the novella a timeless portrait of the human condition. The first-person narrative, with its confessional tone, deepens the bond between the protagonist and the reader, lending unique authenticity to the emotions expressed. The enduring relevance of the work lies in its ability to capture the nuances of human relationships and the emotional dilemmas that arise at the threshold between dream and reality. By portraying the fleeting but transformative impact of an encounter, White Nights invites readers to reflect on the ephemerality of happiness and the resilience of hope, even in the face of life's inevitable disappointments.

If We Were Villains
M. L. Rio · 2017

The Ballad of Songbirds and Snakes (A Hunger Games Novel)
Suzanne Collins · 2020

The Seamstress
María Dueñas · 2012

The Handmaid's Tale
Margaret Atwood · 2011

The Girls I've Been
Tess Sharpe · 2021

Bunny
Mona Awad · 2019
NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library

Belle
Lesley Pearse · 2021

The Lost Daughter
Elena Ferrante · 2015
Leda is a middle-aged, divorced mother devoted to her work as an English professor. After the departure of her grown-up daughters, she takes a holiday on the Italian coast. But after a few days things become unsettling; on the beach she encounters a family whose brash behaviour proves menacing. Leda is overwhelmed by memories of the difficult and unconventional choices she made as a mother and their consequences for herself and her family. The tale of a woman's rediscovery of herself soon becomes the story of a ferocious confrontation with the past. The Lost Daughter is a profound exploration of the conflicting emotions that tie women to their children. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy's most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante's work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. 'Ferrante's gift for psychological horror renders it immediate and visceral.' New Yorker 'This superb and scary Italian writer...has blown the lid off tempestuous parent-child relations.' Seattle Times 'So refined, almost translucent, that it seems about to float away, in the end this piercing novel is not so easily dislodged from the memory.' Boston Globe 'It's Leda's voice that's hypnotic, and it's the writing that makes it that way. Ferrante can do a woman's interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.' Booklist 'Ferrante's prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.' Publishers Weekly ‘Ferrante’s uncompromising directness and her unflinching gaze cannot be faulted.’ Age/Sydney Morning Herald ‘With cold determination, Ferrante conveys both the selfishness and the courage that comes with admitting your own maternal shortcomings.’ New Zealand Listener

Near to the Wild Heart
Clarice Lispector · 2012
This new translation of Clarice Lispector's sensational first book tells the story of a middle class woman's life from childhood through an unhappy marriage and its dissolution to transcendence.<br/>Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called “Hurricane Clarice”: a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: “He was alone, unheeded, near to the wild heart of life.”<br/>The book was an unprecedented sensation ― the discovery of a genius. Narrative epiphanies and interior monologue frame the life of Joana, from her middle-class childhood through her unhappy marriage and its dissolution to transcendence, when she proclaims: “I shall arise as strong and comely as a young colt.”
