libritos varios

Leaves Of Grass: 1855

Walt Whitman • 2018

Selected Poems

Tomas Transtromer • 2000

POR LA HUMANIDAD FUTURA.(LA POLLERA)

GABRIELA MISTRAL • 1900

TRES INVIERNOS E/PARIS D.INT.1961/64

Minujin Marta • 2014

La mujer pintada (Spanish Edition)

Teresa Arijón • 2021

Un puñado de flechas

María Gainza • 2024

<p>Un libro en el que se entrecruzan el arte, la literatura y la vida: la confirmación del inmenso talento de María Gainza.<br></p><p>Una noche, durante su estancia porteña para el rodaje de su película Tetro, Francis Ford Coppola le dijo a María Gainza: «El artista viene al mundo con un carcaj que contiene un número limitado de flechas doradas. Puede lanzar todas sus flechas de joven, o lanzarlas de adulto, o incluso ya de viejo. También puede ir lanzándolas de a poco, espaciadas a lo largo de los años. Eso sería lo ideal, pero ya sabés que lo ideal es enemigo de lo bueno».<br></p><p>Además de Coppola, en Un puñado de flechas asoman una acuarela de Cézanne sustraída de un museo de Buenos Aires, la casa de un coleccionista, un paseo por el Walden Pond de Thoreau, las enigmáticas pinturas de Bodhi Wind en piscinas californianas que aparecían en la no menos enigmática Tres mujeres de Robert Altman, los óleos del pintor catalán Nicolás Rubió en los que evocaba el pueblo francés donde pasó la guerra civil española, la vida cosmopolita y la memoria de la escultora María Simón, las andanzas del pintor Francis Hopkinson y su asistente Moon en México y un cuadro maldito de Tiziano oculto en Tzintzuntzan…<br></p><p>A medio camino entre el ensayo y la narración, María Gainza sigue explorando nuevas formas de entender la escritura, rompiendo las barreras estancas entre los géneros. Un libro en el que se entrecruzan el arte, la literatura y la vida, y que confirma a su autora como una de las voces más estimulantes del actual panorama de las letras en lengua española.<br></p>

La nieta (Spanish Edition)

Bernhard Schlink • 2023

El Año En Que Hablamos Con El Mar: Novela

Montero, Andrés • unde

Reyes vagabundos

Joseph O'Connor • 2023

Más allá del equinoccio de primavera

Natsume Soseki • 2018

Almas y cuerpos

David Lodge • 2020

El evangelio del Nuevo Mundo

Maryse Condé • 2023

Theodoros

Mircea Cartarescu • 2024

Los inquietos

Linn Ullmann • 2021

Daisy Jones & The Six: A Novel

Taylor Jenkins Reid • 2019

When We Were Birds: A Novel

Ayanna Lloyd Banwo • 2022

Beautiful World, Where Are You: A Novel

Sally Rooney • 2021

Normal People: A Novel

Sally Rooney • 2020

<b>NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • <i>NEW YORK TIMES</i> BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • “A stunning novel about the transformative power of relationships” (<i>People</i>) from the author of <i>Conversations with Friends,</i> “a master of the literary page-turner” (J. Courtney Sullivan).</b><br> <br><b>“[A] novel that demands to be read compulsively, in one sitting.”—<i>The Washington Post</i></b><br><br><b>ONE OF <i>ENTERTAINMENT WEEKLY</i>’S TEN BEST NOVELS OF THE DECADE</b><br><br><b>TEN BEST BOOKS OF THE YEAR: <i>People, Slate,</i> The New York Public Library, <i>Harvard Crimson</i></b><br><br>Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.<br><br>A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.<br><br><i>Normal People</i> is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t.<br> <br><b>WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, <i>Sunday Times </i>Young Writer of the Year Award</b><br><br><b>BEST BOOKS OF THE YEAR: <i>The New York Times</i>, <i>The New York Times Book Review, Oprah Daily, Time,</i> NPR, <i>The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country</i></b>

Girl, Woman, Other (Booker Prize 2019)

Evaristo Bernardine • 2020

Teeming with life and crackling with energy - a love song to modern Britain and black womanhood<br/>Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.<br/>Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

The Sun and Her Flowers

Rupi Kaur • 2017

El Cuervo y otros poemas

EDGAR ALLAN POE • 2015

Canto A Mi Mismo

WHITMAN WALT • 2014

A Season In Hell

Arthur Rimbaud • 2016

DELIRIUM II ALCHEMY OF THE WORDMy turn: the story of my foolishness. For ages I boasted of possessing all possible landscapes, and found the celebrities of modern painting and poetry absurd. I loved idiotic pictures, painted panels, stage sets, backdrops, hotel signs, popular prints; unfashionable literature, church Latin, erotic books with poor spelling, bygone novels, fairy tales, little books for children, old operas, inane refrains, syncopated rhythms. I dreamt of crusades, unrecorded voyages of discovery, republics without histories, wars of suppressed religion, moral revolutions, movements of races and continents: I believed in every enchantment. I invented the color of vowels! A black, E white, I red, O blue, U green. – I regulated the form and motion of every consonant, and, with instinctive rhythms, I flattered myself I’d created a poetic language, accessible some day to all the senses. I reserved the translation rights. It was academic at first. I wrote of silences, nights, I made note of the inexpressible. I fixated on frenzies...Far from the flocks of birds and village girls,On my knees, what did I drink in the heather?Surrounded by a tender grove of trees,In a green mist, what did I drink on that warm afternoon?What could I be drinking?Voiceless trees, flowerless turf, an ominous sky –From yellow gourds, far from my hut,I perspired as I drank golden liquors.My silhouette was like a dubious sign for a strange hotel – A storm blew in. That evening, the wind of God Brought ice to the pond:– I could no longer drink: I saw gold, I wept!The old poetry played a part in my alchemy of the word.I became accustomed to pure hallucination: I saw quite clearly a mosque instead of a factory, a school of drummers led by angels, carriages on the highway of the sky, a salon in the depths of a lake; monsters, mysteries; a performance, a skit, conjured up horrors before me.Then I explained my magical sophisms with hallucinatory words!I ended by treating my mental disorder as sacred. I was idle, prey to a heavy fever: I envied the happiness of beasts – caterpillars: that represent Limbo’s innocence, moles: the sleep of virginity!My character was embittered. I said farewell to the world in song:SONG OF THE HIGHEST TOWERMay it come, the time of love,The time we would be enamored of.I've been patient so longI have forgottenAll fears and sufferingThey've flown up into skies.My veins burst,I thirst.May it come, the time of love,The time we would be enamored of.So the meadowFreed by neglect,Flowered, overgrownWith weeds and incense,To the buzz nearbyOf foul flies.May it come, the time of love,The time we would be enamored of.

Te di ojos y miraste las tinieblas

Irene Solà • 2023

Canto yo y la montaña baila (Spanish Edition)

Irene Solà Saez • 2020

Beast

Irene Sola • 2017

Beast is the first collection in English from award-winning Catalan poet Irene SolA, a darkly imaged, startling and lyrically precise exploration of gender, identity, sexuality and multiple forms of desire. "Beast enters incisively, like claws. It arrives with gleaming fur and stinking. It's a creature that spills its guts and impels the same from others--peoples, animals, limbs, foodstuffs, logical thinking, familial and sexual relations. In Irene SolA's scenes, there's nothing that isn't jammed together and insecure but what's constant is temperament. Beast comes swiftly, with a brazen laugh and cocked ears. Watch out when the lines pause for weird and possibly lethal detours. As SolA jolts, pulses and pushes off, she might leave the paths littered with bouquets or corpses." --Heather Phillipson "Sensuous, precise, and profoundly generous in their glimpses of strikingly private narratives, Sola's poems feel perfectly placed for the strange heat of our times..." --Ben Rivers "After drinking orange blossom water until she vomited everything that she had inside her, the writer and artist Leonora Carrington wrote that her stomach was 'the mirror of the earth'. SolA's Beast has a duckling in the belly; the words it makes her sick up are evil, brittle, full of feeling. I'm excited to see this translation from the Catalan unleashed on UK poetry." --Sophie Collins

La insumisa

Cristina Peri Rossi • 2020

Poesía completa

Idea Vilariño • 2016

«LLEGÓ LA HORA DE IDEA VILARIÑO: UN CLÁSICO DE LA LITERATURA LATINOAMERICANA» ( EL PAÍS) «Idea Vilariño habla con el corazón en un puño.» Manuel Vilas «Carnal y feroz, libérrima pero pulida hasta el fi lo de lo esencial.» Raquel Garzón, El País «Forma parte de ese nutrido grupo de escritoras del siglo XX que nos queda por redescubrir.» Edurne Portela Aunque la autora ha mantenido a lo largo de su vida una actitud casi monacal con respecto a la difusión de su obra, hoy día está considerada como uno de los clásicos vivos de las letras hispanoamericanas. Su poesía -escasa y sobria, lentamente madurada- transita siempre por los extremos, tensa, como acorralada por una íntima urgencia. Quizá el asunto que con mayor frecuencia aparece en esta poesía sea la muerte, pero una muerte que late y se experimenta en el esplendor de la vida, en los golpes del amor, en los embates del sexo, en la dialéctica entre ausencia y recuerdo. La lectura de estos poemas conforma una experiencia intensa y perdurable y supone el descubrimiento de una de las voces más contundentes y secretamente bellas de la poesía contemporánea. La crítica ha dicho: «El Uruguay ha sido fecundo en mujeres poetas pero a pesar de que hay otras voces interesantes, yo me quedo con la suya.» Carmen Posadas «Catálogo del amor, el desamor y la ausencia de ambos.» Carlos Catena Cózar, El País «Su poesía se despliega en breves y delgados poemas medulares que son destilada expresión de la experiencia más desnuda y profunda. Poesía escueta, diamantina, de raigambre... Quedará la poesía de esta poeta en vida, solitaria, reservada, distantecomo una desgarrada confesión de la más sombría sensibilidad actual, asida tan solo a la desolada fascinación -o servidumbrede la palabra.» Luis Antonio de Villena, El Norte de Castilla «Leer su poesía ha sido como llenar el nombre [de Vilariño] de contenido porque después de aquel inesperado poema ["Ya no"] que me asaltó el corazón de una forma brutal, vinieron Poemas de amor y Pobre mundo, los dos libros que me traje a casa de vuelta.» Antonio Muñoz Molina «Pesimismo, sensibilidad, existencialismo, empatía, confesión... una poesía limpia y desgarrada el dolor de una vida marcada por el amor.» Andrés Seoane, El Cultural «Desde siempre tuvo muy cercana la idea de la muerte y la enfermedad. Entendía muy bien lo que es el dolor en carne propia.» Juan Ramón Jiménez «Escribe con las vísceras, no le importa descarnarse frente al lector. Aunque seguramente pensaba y corregía sus poemas, escribe mucho en caliente y eso que quiere sacar de sí desesperadamente, está ahí resonando. Es un dolor tan vivo que cualquiera podemos sentirlo como nuestro, porque sabemos que es algo que nos ha pasado o nos va a pasar.» Brenda Navarro «La poesía de Idea Vilariño, que en su cada vez más absoluto desnudamiento arranca al lector, cualquiera que sea su sexo, un gemido de mujer.» Ignacio Echevarría, CTXT

Poemas de la Vega

Federico García Lorca • 2014

Romancero Gitano

Federico García Lorca • 2015

Just Kids

Patti Smith • 2010

La vegetariana

Han Kang • 2024

Mujeres que aman a mujeres (Spanish Edition)

María Felicitas Jaime • 2025

Yo, Tituba, la bruja de Salem (Impedimenta, 1) (Spanish Edition)

Maryse Condé • 2022

Conversations with Friends: A Novel

Sally Rooney • 2018

<b>NOW A HULU ORIGINAL SERIES • From the <i>New York Times</i> bestselling author of <i>Normal People</i> . . . “[A] cult-hit . . . [a] sharply realistic comedy of adultery and friendship.”—<i>Entertainment Weekly</i><br><br>SALLY ROONEY NAMED TO THE <i>TIME</i> 100 NEXT LIST • WINNER OF THE <i>SUNDAY TIMES</i> (UK) YOUNG WRITER OF THE YEAR AWARD • ONE OF <i>BUZZFEED</i>’S BEST BOOKS OF THE DECADE AND <i>THE TELEGRAPH</i>’S 20 BEST NOVELS OF ALL TIME • ONE OF THE TEN BEST BOOKS OF THE YEAR: <i>Vogue, Slate</i> • ONE OF THE BEST BOOKS OF THE YEAR: <i>Elle</i></b><br><br>Frances is a coolheaded and darkly observant young woman, vaguely pursuing a career in writing while studying in Dublin. Her best friend is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, they meet a well-known photographer, and as the girls are then gradually drawn into her world, Frances is reluctantly impressed by the older woman’s sophisticated home and handsome husband, Nick. But however amusing Frances and Nick’s flirtation seems at first, it begins to give way to a strange—and then painful—intimacy.<br><br>Written with gemlike precision and marked by a sly sense of humor, <i>Conversations with Friends</i> is wonderfully alive to the pleasures and dangers of youth, and the messy edges of female friendship.<br><br><b>SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD</b><br><br>“Sharp, funny, thought-provoking . . . a really great portrait of two young women as they’re figuring out how to be adults.”<b>—Celeste Ng, <i>Late Night with Seth Meyers Podcast</i></b><br><br>“The dialogue is superb, as are the insights about communicating in the age of electronic devices. Rooney has a magical ability to write scenes of such verisimilitude that even when little happens they’re suspenseful.”<b>—Curtis Sittenfeld, <i>The Week</i></b><br><br>“Rooney has the gift of imbuing everyday life with a sense of high stakes . . . a novel of delicious frictions.”<b>—<i>New York</i></b><br><br>“A writer of rare confidence, with a lucid, exacting style . . . One wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge. . . . But Rooney’s natural power is as a psychological portraitist. She is acute and sophisticated about the workings of innocence; the protagonist of this novel about growing up has no idea just how much of it she has left to do.”<b>—Alexandra Schwartz, <i>The New Yorker</i></b><br><br>“This book. This book. I read it in one day. I hear I’m not alone.”<b>—Sarah Jessica Parker (Instagram)</b>