libros que necesito en físico

Alice in Wonderland: The Original 1865 Edition

Lewis Carroll • 2021

“And what is the use of a book," thought Alice, "without pictures or conversation?” ― Lewis Carroll, Alice's Adventures in Wonderland<br/>This Beautiful edition contains complete original black and white illustrations by Sir John Tenniel.<br/>Alice in Wonderland is an 1865 novel by English author Lewis Carroll. It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.<br/>One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously influential in popular culture and literature, especially in the fantasy genre. The work has never been out of print and has been translated into at least 97 languages. Its ongoing legacy encompasses many adaptations for stage, screen, radio, art, ballet, theme parks, board games and video games.<br/>A True Classic that Belongs on Every Bookshelf!

Coraline

Neil Gaiman • 2004

Carmilla

Joseph Sheridan Le Fanu • 2020

alicia underground

Have you ever wondered why that 13-digit number on the back of a book costs $125 in the United States but is completely free in Canada and India? This book, The Global ISBN Handbook, is your 2025 guide to the International Standard Book Number. It explains everything about this global "fingerprint" for books. The ISBN is the most important cornerstone of the publishing industry. It started as a simple warehouse tool in the 1960s. Now, it is a complex digital identifier used in over 200 countries. This handbook deconstructs the entire system. It uses 15 distinct national case studies to do this. You will learn how the old 10-digit system changed to the new 13-digit one. We break down the five parts of the ISBN, from the "Bookland" prefix to the final check digit. The book explores the global governance framework, starting with the International ISBN Agency. Then, it dives deep into how different countries run their systems. You'll see the privatized, high-cost model in the United States. You'll compare it to Canada's free, government-run system. We explore the industry-led models in Brazil and Germany. We look at government-run systems in Mexico and India. We even cover the unique case of China, where the ISBN is not a simple identifier but a state-controlled publication license. The book also examines the systems in the UK , France , Russia , Japan , Australia , South Africa , Nigeria , and Egypt. Many books and websites can tell you how to get an ISBN. This handbook is the only resource that explains why the process is so different everywhere you look. It moves beyond a simple "how-to" and provides a true global analysis. It directly compares the privatized, for-profit models in the US and UK against the free, public-good systems in Canada and South Africa. You won't just learn the price; you will understand the cultural policies, market structures, and legal philosophies that shape that price. This book shows how the ISBN is a "global mirror". It reveals how a simple number can be a commercial product in one nation , a tool of cultural policy in another , and an instrument of state control in a third. This comparative insight is the missing piece for any author, publisher, or researcher trying to navigate the complex international publishing market. Disclaimer: This handbook is an independently produced resource for commentary and analysis. The author has no affiliation with the International ISBN Agency, R.R. Bowker, Library and Archives Canada, the National Press and Publication Administration, or any other national ISBN agency. This work is independently produced under the principle of nominative fair use.

Poesía completa

Alejandra Pizarnik • 2016

Poesía completa

Idea Vilariño • 2021

Product Description «LLEGÓ LA HORA DE IDEA VILARIÑO: UN CLÁSICO DE LA LITERATURA LATINOAMERICANA» (EL PAÍS)«Idea Vilariño habla con el corazón en un puño.» —Manuel Vilas«Carnal y feroz, libérrima pero pulida hasta el fi lo de lo esencial.» —Raquel Garzón, El País«Forma parte de ese nutrido grupo de escritoras del siglo XX que nos queda por redescubrir.» —Edurne PortelaAunque la autora ha mantenido a lo largo de su vida una actitud casi monacal con respecto a la difusión de su obra, hoy día está considerada como uno de los clásicos vivos de las letras hispanoamericanas.Su poesía -escasa y sobria, lentamente madurada- transita siempre por los extremos, tensa, como acorralada por una íntima urgencia. Quizá el asunto que con mayor frecuencia aparece en esta poesía sea la muerte, pero una muerte que late y se experimenta en el esplendor de la vida, en los golpes del amor, en los embates del sexo, en la dialéctica entre ausencia y recuerdo.La lectura de estos poemas conforma una experiencia intensa y perdurable y supone el descubrimiento de una de las voces más contundentes y secretamente bellas de la poesía contemporánea.ENGLISH DESCRIPTION“IDEA VILARIÑO’S TIME HAS COME: A CLASSIC IN LATIN AMERICAN LITERATURE" (EL PAÍS)Although throughout her life, Vilariño has maintained an almost reclusive attitude regarding the publication of her life’s work, today she is considered one of the living classics of Latin American narrative.Her poetry -scarce, sober, and slowly matured-always moves through the extremes, tense, as if cornered by a discreet urgency. Perhaps the most frequently recurring theme that appears in her poetry is death, but a death with a beating heart, one that moves about in the splendor of life, in the blows of love, in the onslaught of sex, and in the interaction between absence and memories.The act of reading these poems exposes readers to an intense and lasting experience and supposes the discovery of one of the most forceful and secretly beautiful voices of contemporary poetry.“Idea Vilariño speaks by wearing her heart on her sleeve.” -Manuel Vilas“Carnal and fierce, free but sharp until the edge of what’s essential.” -Raquel Garzon, El Pais“Vilariño is part of that large group of 20th century writers that we have yet to rediscover.” -Edurne Portela Review La crítica ha dicho:«El Uruguay ha sido fecundo en mujeres poetas pero a pesar de que hay otras voces interesantes, yo me quedo con la suya.» —Carmen Posadas«Catálogo del amor, el desamor y la ausencia de ambos.» —Carlos Catena Cózar, El País«Su poesía se despliega en breves y delgados poemas medulares que son destilada expresión de la experiencia más desnuda y profunda. Poesía escueta, diamantina, de raigambre... Quedará la poesía de esta poeta en vida, solitaria, reservada, distantecomo una desgarrada confesión de la más sombría sensibilidad actual, asida tan solo a la desolada fascinación -o servidumbrede la palabra.» —Luis Antonio de Villena, El Norte de Castilla«Leer su poesía ha sido como llenar el nombre [de Vilariño] de contenido porque después de aquel inesperado poema [“Ya no”] que me asaltó el corazón de una forma brutal, vinieron Poemas de amor y Pobre mundo, los dos libros que me traje a casa de vuelta.» —Antonio Muñoz Molina«Pesimismo, sensibilidad, existencialismo, empatía, confesión… una poesía limpia y desgarrada el dolor de una vida marcada por el amor.» —Andrés Seoane, El Cultural«Desde siempre tuvo muy cercana la idea de la muerte y la enfermedad. Entendía muy bien lo que es el dolor en carne propia.» —Juan Ramón Jiménez«Escribe con las vísceras, no le importa descarnarse frente al lector. Aunque seguramente pensaba y corregía sus poemas, escribe mucho en caliente y eso que quiere sacar de sí desesperadamente, está ahí resonando. Es un dolor tan vivo que cualquiera podemos sentirlo como nuestro, porque sabemos que es algo que nos ha pasado o nos va a pasar.» —Brenda Navarro«La poesía de Idea Vilariño, que en su cada vez más absoluto