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the smiths
The Smiths
Artist
The Smiths were the definitive British indie rock band of the '80s, marking the end of synth-driven new wave and the beginning of the guitar rock that dominated English rock into the '90s. Sonically, the group was indebted to the British Invasion, crafting ringing, melodic three-minute pop singles, even for their album tracks. But their scope was far broader than that of a revivalist band. The group's core members, vocalist Morrissey and guitarist Johnny Marr, were obsessive rock fans inspired by the D.I.Y. ethics of punk, but they also had a fondness for girl groups, pop, and rockabilly. Morrissey and Marr also represented one of the strangest teams of collaborators in rock history. Marr was the rock traditionalist, looking like an elegant version of Keith Richards during the Smiths' heyday and meticulously layering his guitar tracks in the studio. Morrissey, on the other hand, broke from rock tradition by singing in a keening, self-absorbed croon, embracing the forlorn, romantic poetry of Oscar Wilde, publicly declaring his celibacy, and making no secret of his disgust for most of his peers. While it eventually led to the Smiths' early demise, the friction between Morrissey and Marr resulted in a flurry of singles and albums over the course of three years that provided the blueprint for British guitar rock in the following decade. Before forming the Smiths in 1982, Johnny Marr (born John Maher, October 31, 1963; guitar) had played in a variety of Manchester-based rock & roll bands, including Sister Ray, Freaky Part, White Dice, and Paris Valentinos. On occasion, Marr had come close to a record contract -- one of his bands won a competition Stiff Records held to have Nick Lowe "produce your band" -- but he never quite made the leap. Though Morrissey (born Steven Patrick Morrissey, May 22, 1959; vocals) had sung for a few weeks with the Nosebleeds and auditioned for Slaughter & the Dogs, he had primarily contented himself to being a passionate, vocal fan of both music and film. During his teens, he wrote the Melody Maker frequently, often getting his letters published. He had written the biography/tribute James Dean Isn't Dead, which was published by the local Manchester publishing house Babylon Books in the late '70s, as well as another book on the New York Dolls; he was also the president of the English New York Dolls fan club. Morrissey met Marr, who was then looking for a lyricist, through mutual friends in the spring of 1982. The pair began writing songs, eventually recording some demos with the Fall's drummer, Simon Wolstencroft. By the fall, the duo had settled on the name the Smiths and recruited Marr's schoolmate Andy Rourke as their bassist and Mike Joyce as their drummer. The Smiths made their live debut late in 1982, and by the spring of 1983, the group had earned a small but loyal following in their hometown of Manchester and had begun to make inroads in London. Rejecting a record deal with the Mancunian Factory Records, the band signed with Rough Trade for a one-off single, "Hand in Glove." With its veiled references to homosexuality and its ringing riffs, "Hand in Glove" became an underground sensation in the U.K., topping the independent charts and earning the praise of the U.K. music weeklies. Soon, Morrissey's performances became notorious as he appeared on-stage wearing a hearing aid and with gladioli stuffed in his back pockets. His interviews were becoming famous for his forthright, often contrary opinions, which helped the band become a media sensation. By the time of the group's second single, "This Charming Man," in late 1983, the Smiths had already been the subject of controversy over "Reel Around the Fountain," a song that had been aired on a BBC radio session and was alleged to condone child abuse. It was the first time that Morrissey's detached, literary, and ironic lyrics were misinterpreted and it wouldn't be the last. "This Charming Man" reached number 25 on the British charts in December of 1983, setting the stage for "What Difference Does It Make"'s peak of number 12 in February. The Smiths' rise to the upper reaches of the British charts was swift, and the passion of their fans, as well as the U.K. music press, indicated that the group had put an end to the synth-powered new wave that dominated Britain in the early '80s. After rejecting their initial stab at a first album, they released their debut, The Smiths, in the spring of 1984 to strong reviews and sales -- it peaked at number two. A few months later, the group backed '60s pop vocalist Sandie Shaw -- who Morrissey had publicly praised in an article -- on a version of "Hand in Glove" that was released and reached the Top 40. "Heaven Knows I'm Miserable Now" reached number ten, becoming their highest-charting single amid a storm of controversy about its B-side, "Suffer Little Children," which was about the notorious Moors Murders. More controversy appeared when Morrissey denounced the hunger-relief efforts of Band Aid, but the group's popularity was not affected. Though the Smiths had become the most popular new rock & roll group in Britain, the group failed to make it outside of underground and college radio in the U.S., partially because they never launched a full-scale tour. At the end of the year, "William It Was Really Nothing" became a Top 20 hit and Hatful of Hollow, a collection of B-sides, BBC sessions, and non-LP singles, went to the Top Ten, followed shortly by "How Soon Is Now," which peaked at number 24. Meat Is Murder, the band's second proper studio album, entered the British charts at number one in February of 1985, despite some criticism that it was weaker than The Smiths. Around the time of the release of Meat Is Murder, Morrissey's interviews were becoming increasingly political as he trashed the Thatcher administration and campaigned for vegetarianism; he even claimed that the Smiths were all vegetarians, and he forbade the remaining members to be photographed eating meat, even though they were still carnivores. Marr, for his part, was delving deeply into the rock & roll lifestyle and looked increasingly like a cross between Keith Richards and Brian Jones. By the time the non-LP "Shakespeare's Sister" reached number 26 in the spring of 1985, the Smiths had spawned a rash of soundalike bands, including James, who opened for the group on their spring 1985 tour, most of whom Morrissey supported. However, all of the media attention on the Smiths launched a mild backlash later in 1985, when "That Joke Isn't Funny Anymore" was pulled from Meat Is Murder and failed to reach the Top 40. "The Boy with the Thorn in His Side" revived the band's fortunes in the fall of 1985, and their third album, The Queen Is Dead, confirmed their popularity upon its release in the spring of 1986. Greeted with enthusiastic reviews and peaking at number two on the U.K. charts, The Queen Is Dead also expanded their cult following in the U.S., cracking the Top 100. Shortly before the album was completed, former Aztec Camera guitarist Craig Gannon became the band's rhythm guitarist, and he played with the band throughout their 1986 international tour, including a botched American tour. The non-LP "Panic," which was criticized as racist by some observers for its repeated refrain of "Burn down the disco...hang the DJ," reached number 11 late in the summer. A few months after its release, Marr was seriously injured in a car crash. During his recuperation, Gannon was fired from the band, as was Rourke, who was suffering from heroin addiction. Though Rourke was later reinstated, Gannon was never replaced. The Smiths may have been at the height of their popularity in early 1987, with the non-LP singles "Shoplifters of the World" and "Sheila Take a Bow" reaching number 11 and ten respectively, and the singles and B-sides compilation The World Won't Listen (revamped for U.S. release as Louder Than Bombs later in 1987) debuting at number two, but Marr was growing increasingly disenchanted with the band and the music industry. Over the course of the year, Morrissey and Marr became increasingly irritated with each other. The singer wished that Marr would stop playing with other artists like Bryan Ferry and Billy Bragg, while the guitarist was frustrated with Morrissey's devotion to '60s pop and his hesitancy to explore new musical directions. A few weeks before the fall release of Strangeways, Here We Come, Marr announced that he was leaving the Smiths. Morrissey disbanded the group shortly afterward and began a solo career, signing with Parlophone in the U.K. and staying with the Smiths' U.S. label, Reprise. Marr played as a sideman with a variety of artists, eventually forming Electronic with New Order frontman Bernard Sumner. Rourke retired from recording and Joyce became a member of the reunited Buzzcocks in 1991. Rank, a live album recorded on the Queen Is Dead tour, was released in the fall of 1988. It debuted at number two in the U.K. A widely criticized, two-part The Best of the Smiths compilation was released in 1992; the praised Singles compilation was released in 1995. Joyce and Rourke sued Morrissey and Marr in 1991, claiming they received only ten percent of the group's earnings while the songwriters received 40 percent. Rourke eventually settled out of court, but Joyce won his case in late 1996. ~ Stephen Thomas Erlewine
Strangeways, Here We Come
Album · The Smiths
Meat Is Murder
Album · The Smiths
The Queen Is Dead
Album · The Smiths
The Smiths
Album · The Smiths
déjenme dormir
BRONCE
Album · Déjenme Dormir
Déjenme Dormir
Artist
Déjenme Dormir es una banda de indie rock concebida en Santiago de Chile activa desde el año 2019. Juntos desarrollan un sonido potente y melancólico, madurando con el tiempo a través de sus presentaciones frenéticas. Rescatan elementos del indie rock y el rock alternativo de los noventa. En octubre de 2024 publican su segundo LP: <a href="spotify:track:5qX4v2X5DcIIV6QrRkmjZk" data-name="BRONCE">BRONCE</a>. Esta vez con un sonido mas pesado y melancólico, el disco fue recibido por los medios alternativos como uno de los lanzamientos nacionales destacados del año. Actualmente el grupo se presenta en los escenarios de la capital y preparan un tercer LP para el año 2026.
Neumonía
Album · Déjenme Dormir
wet leg
moisturizer
Album · Wet Leg
Wet Leg
Album · Wet Leg
Wet Leg
Artist
let weg
peel dream magazine
Rose Main Reading Room
Album · Peel Dream Magazine
Agitprop Alterna
Album · Peel Dream Magazine
Taurus
Album · Peel Dream Magazine
Modern Meta Physic
Album · Peel Dream Magazine
Pad
Album · Peel Dream Magazine
Peel Dream Magazine
Artist
wolf alice
Wolf Alice
Artist
The Clearing
Album · Wolf Alice
Visions Of A Life
Album · Wolf Alice
Blue Weekend
Album · Wolf Alice
My Love Is Cool
Album · Wolf Alice
marilina bertoldi
Sexo con modelos
Album · Marilina Bertoldi
PARA QUIEN TRABAJAS Vol. I
Album · Marilina Bertoldi
Prender un Fuego
Album · Marilina Bertoldi
Marilina Bertoldi
Artist
Marilina Bertoldi es una artista argentina. Desde pequeña la música representó su único lenguaje para expresar sus emociones. Encerrada en su cuarto, en soledad, encontró refugio de un mundo que no entendía y le resultaba hostil. Allí aprendió a tocar la guitarra, el piano, a cantar y dibujar a su tiempo y manera. Una autodidacta por naturaleza, Marilina aprendió a medida que lo necesitó, y en los tiempos y formas que se amoldaban a su mundo. Una pequeña freak que nunca fue como nadie y nunca lo será. Cree que el rock de hombres murió y que es hora de que las mujeres y las minorías tomen la posta.
Mojigata
Album · Marilina Bertoldi
bandalos chinos
El Big Blue
Album · Bandalos Chinos
Vándalos
Album · Bandalos Chinos
Bandalos Chinos
Artist
Bandalos Chinos consolida su formación en el 2014, año en que publica su exitoso EP Nunca Estuve Acá. Desde entonces, el grupo se ha encargado de elevar la vara del indie mediante una propuesta pop de nivel internacional. Su trilogía de discos producidos junto a Adán Jodorowsky: BACH (2018), Paranoia Pop (2020) y El Big Blue (2022), los estableció como la referencia indiscutida del nuevo sonido indie en todo el continente. Con hits que suenan en radios, bares, fiestas y comercios a lo largo de toda América Latina, Bandalos Chinos ha logrado ser reconocida con 3 Premios Gardel, 2 nominaciones a los Grammy Latinos y estadios agotados como los míticos Luna Park de Buenos Aires y el Teatro Metropolitan de CDMX. El éxito de su propuesta los ha llevado no solo a girar por los confines de Latinoamérica sino también por España y Estados Unidos, realizando en el país norteamericano más de 20 fechas con entradas agotadas. 2025 será el año en que Bandalos Chinos dé a luz a su cuarto album, Vándalos, producido junto a Fermín Ugarte . El disco abre la puerta de una nueva etapa en la trayectoria de la banda. Una en la que Bandalos Chinos asume su liderazgo y abraza la misión implícita pero persistente a lo largo de su trayectoria de empujar los límites del indie. Un nuevo momento fundacional, que asegura la vigencia, la juventud y la frescura en tiempos de madurez y realización. Una promesa de nunca quedarse quietos.
cocteau twins
Four-Calendar Café
Album · Cocteau Twins
Milk & Kisses
Album · Cocteau Twins
Heaven or Las Vegas
Album · Cocteau Twins
Treasure
Album · Cocteau Twins
Cocteau Twins
Artist
futnes
Pepe
Album · Futnes
fut track
Album · Futnes
Futnes
Artist
me gusta ver el polvo fragmentado en un haz de luzzz
the radio dept.
Lesser Matters
Album · The Radio Dept.
I Don't Need Love, I've Got My Band
Album · The Radio Dept.
Pet Grief
Album · The Radio Dept.
The Radio Dept.
Artist
The Radio Dept. was formed in Malmö, Sweden in 2001 by Johan Duncanson and Martin Carlberg. Out of a great review in the music magazine Sonic (2002) they gained interest from the label Labrador. After a few eps, the band’s debut album “Lesser Matters” was released in January 2003 to much critical acclaim. When re-released by XL Recordings the band started to reach audiences internationally. All three singles from the album was featured on Single of the Week page in NME. The group enjoyed a more widespread recognition after three tracks (“Pulling Our Weight”, “I Don’t Like It Like This” and “Keen on Boys”) were included on the soundtrack for Sofia Coppola’s feature film Marie Antoinette. In 2006 “Pet Grief” was released and in 2010 “Clinging to a Scheme”. A lot of international touring followed as well as a compilation of A and B-sides ”Passive Aggressive” in 2011. While writing on their fourth and final album under their deal with Labrador, the band got caught up in a legal battle with Labrador, which in distress ultimately made the band scrap the album they were working on. After starting over “Running Out of Love” was finally released in 2016. The band left Labrador and decided to find a setup where they were in complete control of their releases. This resulted in forming the label “Just So!” in 2017. The band’s studio work is an ongoing, continuous process which since the birth of “Just So!” have resulted in a couple of new singles.
un muerto más
de amor
Album · un muerto mas
Verano en Invierno
Album · un muerto mas
un muerto mas
Artist
Soy de Argentina, Me gustan los gatos, el verano, el sentimiento bien exagerado y el corazón apasionado. Siento que hago música para esquivar meteoritos , pero la gente me dice que son para morir/matar de amor.
cibo matto
Viva! La Woman
Album · Cibo Matto
Stereotype A
Album · Cibo Matto
Cibo Matto
Artist
A Japanese-born duo relocated to New York and christened with an Italian band name, Cibo Matto's music mirrored the melting-pot aesthetics of their origins, resulting in a heady brew of funk samples, hip-hop rhythms, tape loops, and fractured pop melodies all topped off by surreal narratives sung in a combination of French and broken English. Cibo Matto comprised vocalist <a href="spotify:artist:21StrITbN3uLjv5OdsLAja">Miho Hatori</a> and keyboardist/sampler Yuka Honda, a pair of expatriate Japanese women who arrived in the U.S. independently. Honda, a onetime member of <a href="spotify:artist:4r4tRC1EUpfUCLjwQXP5EA">Brooklyn Funk Essentials</a>, settled in New York in 1987, and <a href="spotify:artist:21StrITbN3uLjv5OdsLAja">Hatori</a>, an alum of the Tokyo rap unit Kimidori and a former club DJ, followed six years later. After meeting in 1994, they first teamed in the <a href="spotify:artist:4pxlntE89zyfL0txVloogM">Boredoms</a>-inspired noise outfit Leitoh Lychee (translated as "frozen lychee nut"); after that band's breakup, the duo formed Cibo Matto, Italian for "food madness" (their love of culinary delights quickly becoming the stuff of legend). The group soon emerged as a sensation among the Lower Manhattan hipster elite, gaining fame for their incendiary live shows backed by guests including <a href="spotify:artist:4q1q53aTfhk0k63Ob9zdhH">the Lounge Lizards</a>' <a href="spotify:artist:4tNDfdHrSlFe9Ljxwgg1BE">Dougie Bowne</a> (Honda's ex-husband), <a href="spotify:artist:3vB7T6czx1Jh89YEnzM0UF">Bernie Worrell</a>, <a href="spotify:artist:119vFqB5OFMzhEGtH7gRU7">Masada</a>'s <a href="spotify:artist:3SQrLX0O6RbBjmSIkwCgJb">Dave Douglas</a>, and <a href="spotify:artist:5KEmcTMN7sZZl1VS2nARVU">Skeleton Key</a>'s Rick Lee. After a pair of acclaimed 1995 independent singles, "Birthday Cake" and "Know Your Chicken," Cibo Matto signed to <a href="spotify:search:label%3A%22Warner+Bros.%22">Warner Bros.</a>, surfacing in 1996 with the <a href="spotify:artist:6nEsI2S68MX6T0dVdLtido">Mitchell Froom</a>/<a href="spotify:artist:0CL5kQ3kBjgge3GQtIJAyp">Tchad Blake</a>-produced Viva! La Woman, a delirious, stunningly inventive record celebrating love, food, and love of food. After touring with guest bassist <a href="spotify:artist:5JUYSPkis2Mk6HUbmMqk1m">Sean Lennon</a> and <a href="spotify:artist:2NOhotupwYbKRNJF7LMDPG">Jon Spencer Blues Explosion</a> drummer <a href="spotify:artist:7eNC6QDjA4nOJ20flMhsM6">Russell Simins</a>, the EP Super Relax followed in 1997. <a href="spotify:artist:5JUYSPkis2Mk6HUbmMqk1m">Lennon</a>, percussionist Duma Love, and drummer <a href="spotify:artist:6kTgACrg1e0UlRwUL11TfI">Timo Ellis</a> were installed as full-time members for the follow-up, 1999's Stereo Type A. A few years later, the group disbanded, with <a href="spotify:artist:21StrITbN3uLjv5OdsLAja">Hatori</a> going on to collaborate with Smokey Hormel and <a href="spotify:artist:3AA28KZvwAUcZuOKwyblJQ">Gorillaz</a>, while Honda produced <a href="spotify:artist:5JUYSPkis2Mk6HUbmMqk1m">Sean Lennon</a>'s Into the Sun and collaborated with the <a href="spotify:artist:4pxlntE89zyfL0txVloogM">Boredoms</a>' Yoshimi on the album Flower with No Color. Also during this hiatus, between 2002 and 2011 Honda notched up four solo albums; while in late 2009 she joined a revamped lineup of <a href="spotify:artist:4m2kfAHEnK7Z7qLGxeWtro">Plastic Ono Band</a> before going onto produce <a href="spotify:artist:67pQ8Yr09zDDzzwWw3EG9R">Martha Wainwright</a>'s 2012 release Come Home to Mama. In 2011, Honda and <a href="spotify:artist:21StrITbN3uLjv5OdsLAja">Hatori</a> began to write material together once again, and after a few delays, Hotel Valentine -- Cibo Matto's first album in 15 years -- was appropriately released during Valentine's week in 2014. ~ Jason Ankeny, Rovi
newdad
MADRA
Album · NewDad
Altar
Album · NewDad
NewDad
Artist
A band from Galway, Ireland.
chini.png
El día libre de Polux
Album · Chini.png
Chini.png
Artist
"Chini.png es el proyecto solista de María José Ayarza, cantautora y artista visual chilena quien se dió a conocer como vocalista de Chini and the Technicians con"Arriba es Abajo", LP destacado como uno de los “10 Best Latin Albums by Rolling Stone” en 2018 . Su primer LP como solista "El día libre de Polux" lanzado en 2023, la ha consolidado como una artista ecléctica dentro del rock alternativo, mostrando un trabajo ambicioso, fluido y dinámico que le valió a su agrupación completa una invitación a KEXP. Sus letras y videoclips están inspiradas en los desencuentros graciosos, tiernos o terroríficos que observa entre lxs humanxs. Ya sea disfrazándose, actuando o filmando, con guitarra de palo o destruyendo todo lo que se les cruce por en medio con su banda en vivo, Chini estará siempre a la búsqueda enérgica de distintas respuestas para una pregunta que (aún) ignora."
★ Vía Lo Orozco ★
Album · Chini.png
candelabro
Deseo, Carne y Voluntad
Album · CandelaBRO
CandelaBRO
Artist
Javiera, Matías, Franko, Luis, María, Nahuel y Carlos. Chile.
Ahora o Nunca
Album · CandelaBRO
warpaint
Heads Up
Album · Warpaint
Radiate Like This
Album · Warpaint
Warpaint
Album · Warpaint
The Fool
Album · Warpaint
Warpaint
Artist
Warpaint are a 4-piece band from California whose unique brand of intricate guitar lines, hypnotic vocals and driving post punk rhythms combine to create a gorgeous, unique sound. Both on record and on stage Warpaint sound like they're channeling something truly otherworldly and mystical. Warpaint have seen constant exposure in publications such as The Guardian, The Independent, Rolling Stone, Spin, Mojo, Q, Crack Magazine, Interview, Nylon, Bust, NME and was featured on the cover of the LA Weekly, as well as having performed on television programs such as Conan, Ellen and Later With Jools Holland. Warpaint's debut album The Fool was named on of the 50 Best Albums of the Decade by NME; their sophomore album 'Warpaint' debuted in the top 10 of the Billboard Alternative Album Chart as well as the U.K. Album Chart, and was named one of the albums of the year in publications such as The Chicago Tribune, LA Magazine, Time Out, NME and American Songwriter. Their third album 'Heads Up' enjoyed a Top 40 debut on the Billboard Current Albums Chart, #13 on the U.K. Album Chart. ‘Radiate Like This’, the bands forthcoming album will be release May 6, 2022. "Radiate Like This "captures what’s always been the magic of Warpaint—the delicate interplay of four separate parts coalescing in motion while somehow allowing each individual to shine a little brighter.
olivia dean
The Art of Loving
Album · Olivia Dean
Messy
Album · Olivia Dean
Olivia Dean
Artist
Olivia Dean if you know what I mean
barbi recanati
El Final de Las Cosas
Album · Barbi Recanati
Barbi Recanati
Artist
Barbi Recanati es una cantante, compositora y guitarrista de rock de Buenos Aires, Argentina, activa desde el 2005. Nominada 2 veces al Latin Grammy y ganadora de Premio Gardel. Directora del sello feminista Goza Records, escritora del libro y podcast declarado de interes cultural, Mostras del Rock.
Único y Nuestro
Album · Barbi Recanati
shame
Food for Worms
Album · shame
Songs of Praise
Album · shame
Drunk Tank Pink (Deluxe Edition)
Album · shame
Cutthroat
Album · shame
shame
Artist
If Songs of Praise was fuelled by teenage vitriol and Drunk Tank Pink delved into a different kind of psychological intensity, then Food for Worms sees shame enter a new, surreal landscape, and becomes, what frontman Steen describes as: “the Lamborghini of shame records.” The band’s third studio album sees shame enter a new, surreal landscape, as reflected in the cover art designed by acclaimed artist Marcel Dzama. It’s suggestive of what is left unsaid, what lies beneath the surface, the farcical and fantastical everyday that we are living in, in a society where both everything and nothing is possible. Recording each track live meant a kind of surrender: here, the rough edges give the album its texture; the mistakes are more interesting than perfection. In a way, it harkens back to the title itself and the way that with this record, the band are embracing frailty and, by doing so, are tapping into a new source of bravery. For the first time, the band are not delving inwards, but seeking to capture the world around them. “I don’t think you can be in your own head forever,” says Steen. A conversation after one of their gigs with a friend prompted a stray thought that he held onto: “It’s weird, isn’t it? Popular music is always about love, heartbreak, or yourself. There isn’t much about your mates.” In many ways, the album is an ode to friendship, a documentation of the dynamic that only five people who have grown up together and grown so close, against all odds can share.
fontaines d.c
Dogrel
Album · FONTAINES D.C.
Romance
Album · FONTAINES D.C.
Skinty Fia
Album · FONTAINES D.C.
FONTAINES D.C.
Artist
Fontaines D.C. announce details of their highly-anticipated fourth album, ROMANCE. Released on 23rd August via XL Recordings, ROMANCE is the band’s first album with producer James Ford and is without doubt their most assured, inventive and sonically adventurous record yet. ROMANCE is Fontaines D.C.s most ambitious, expansive record yet, its 11 tracks constellating ideas that have been percolating among Grian Chatten (vocals), Carlos O’Connell (guitar), Conor Curley (guitar), Conor Deegan (bass), and Tom Coll (drums) since they released Skinty Fia in 2022. These ideas crystalised while touring the U.S. and Mexico with Arctic Monkeys as the five band members shared music and found a throughline with artists that deftly build out their own sprawling creative worlds. They had time apart to build more singular visions for what future music could be: O’Connell went to Spain’s Castile-La Mancha and later became a new father, while Chatten spent time in LA, and Deegan in Paris. They laid deeper roots in London. Each member spent time pushing their boundaries – experimental riffs, chord progressions, and far-flung lyrical references without intentions for a record. After wrapping up the US arena tour in Autumn 2023, they spent a month writing together again, three weeks of pre-production in a North London studio, and a month in a chateau close to Paris, sleeping among studio equipment, completely immersed.
hatchie
Sugar & Spice
Album · Hatchie
Liquorice
Album · Hatchie
Hatchie
Artist
Giving the World Away, the sophomore album from Hatchie, is the truest introduction to the songwriter at the helm of the project, Harriette Pilbeam. Although her sound arrived fully-formed, a dazzling dream-pop and shoegaze tangle, it’s here that Pilbeam fully distills the core of herself into a record. “There's more to me than just writing songs about being in love or being heartbroken -- there's a bigger picture than that,” Pilbeam explains. “This album really just feels like the beginning to me, and scratching the surface – and even though it’s my third release as Hatchie, I feel like I’m rebooting from scratch.” Giving the World Away is an album about self-confidence, about reclamation, about the strange time in young adulthood where you begin to finally be able to see yourself clearly. Incisive and probing, Giving the World Away is the clearest look at Pilbeam yet, and a relic of the power and bravery that spring forth from embracing vulnerability and putting your heart on the line.
black midi
Cavalcade
Album · Black Midi
Black Midi
Artist
bmblackmidi.com
Hellfire
Album · Black Midi
turnstile
GLOW ON
Album · Turnstile
NEVER ENOUGH
Album · Turnstile
Turnstile
Artist
Comprised of Brendan Yates (Vocals), Franz Lyons (Bass/Vocals), Pat McCrory (Guitars), and Daniel Fang (Drums), TURNSTILE’s brand of youth-minded, youth-driven hardcore punk is intent on breaking down barriers, sonically and ideologically. Always more appeal than demand, more liberation than limitation, TURNSTILE extended their hand in 2018 with TIME & SPACE. Recorded with producer Will Yip, TIME & SPACE marked TURNSTILE’s Roadrunner Records debut and the follow-up to their 2015 breakthrough, NONSTOP FEELING. TIME & SPACE saw the band exploding the most outsized tropes of hardcore with tremendous heart and received “Best of 2018” acclaim from The New Yorker, The New York Times, Rolling Stone, NPR, and more, with GQ naming TIME & SPACE one of “The Best Albums That Shaped the 2010s.” The band’s 2021 album GLOW ON - recorded with producer Mike Elizondo and co-produced by TURNSTILE vocalist Brendan Yates - garnered three GRAMMY nominations and staked its claim as one of the year’s top releases, earning “Best of” honors from: NPR, Rolling Stone, Pitchfork, Billboard, The FADER and more. Selected as Stereogum’s ‘Album Of The Week,’ they attested “With this album, they’ve hit dizzy new heights…They’ve made a classic. I can’t even imagine what they’ll do next.” Pitchfork awarded the album ‘Best New Music’ attesting “The Baltimore band’s spectacular fourth record is all groove, riffs, and passion,” with Billboard affirming “Ready or not, TURNSTILE is breaking through.”
magdalena bay
Mercurial World
Album · Magdalena Bay
Imaginal Disk
Album · Magdalena Bay
Magdalena Bay
Artist
jessie ware
Superbloom
Album · Jessie Ware
What's Your Pleasure?
Album · Jessie Ware
Jessie Ware
Artist
idles
Joy as an Act of Resistance.
Album · IDLES
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