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The Bell Jar (Modern Classics)
The Bell Jar (Modern Classics)
<p><i>The Bell Jar</i> chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made <i>The Bell Jar</i> a haunting American classic.</p> <p>This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.</p>
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If We Were Villains: A Novel
If We Were Villains: A Novel
<p><b>“Much like Donna Tartt’s <i>The Secret History</i>, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.”<br>—Cynthia D’Aprix Sweeney, <i>New York Times</i> bestselling author of <i>The Nest<br></i></b><br><b>"Nerdily (and winningly) in love with Shakespeare...Readable, smart.”</b><br><b>—<i>New York Times Book Review</i></b><br><br>On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.<br><br>A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. <br><br>But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. <br><br><i>If We Were Villains</i> was named one of Bustle's Best Thriller Novels of the Year, and <i>Mystery Scene</i> says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."</p>
The Secret History
The Secret History
<b><b><b><b>ONE OF <i>TIME MAGAZINE</i>'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • </b>INTERNATIONAL BESTSELLER • A contemporary literary classic and "a<b>n accomplished psychological thriller ... absolutely chilling" (<i>Village Voice</i>)</b>, f<b>rom the Pulitzer Prize–winning author of <i>The Goldfinch.<br><br></i></b></b></b>One of <i>The Atlantic</i>’s Great American Novels of the Past 100 Years</b><br><br>Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.<br><br><b>“A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —<i>The New York Times</i></b>
