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09/08/2025

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Eminem

Apart from being one of the best-selling artists in music history, Eminem is one of the greatest rappers of his generation. He's effortlessly fast, fluid, dexterous, and unpredictable, capable of pulling off long-form narratives or withering asides. And thanks to his mentor <a href="spotify:artist:6DPYiyq5kWVQS4RGwxzPC7">Dr. Dre</a>, he's had music to match with thick, muscular loops evoking the terror and paranoia conjured by his lyrics. To be certain, a great deal of the controversy Eminem courted came through in how his violent fantasias, often directed at his mother or his wife, intertwined with flights of absurdity that appealed to listeners too young to absorb the psychodramas explored on his breakthrough albums The Slim Shady LP and The Marshall Mathers LP. Eminem's commercial peak came around the time of his 2002 album The Eminem Show (which went platinum 27 times over) and with his crossover onto the big screen that same year with 8 Mile, a film that earned him acclaim for his performance and an Oscar for the film's anthem, "Lose Yourself." Eminem's journey as a living rap legend included struggles with addiction, near-constant feuding with other artists, and a celebrity status that shifted as the years went on. Through all his various changes, however, he continued growing as an artist as well as consistently hitting high commercial marks. Though critics could be unkind to efforts like 2009's Relapse or 2017's Revival, fans made sure that each new album sold at least platinum numbers and topped the charts. Instead of recycling old ideas, the rapper experimented with new production approaches, faster flows, and increasingly complex multisyllabic wordplay on projects like 2020's Music to Be Murdered By and the 2024 concept album The Death of Slim Shady (Coup de Grâce), in which he confronted and killed his alter ego. Born Marshall Mathers in the Kansas City, Missouri suburb of St. Joseph, Eminem spent his childhood between Missouri and Michigan, settling in Detroit in his teens. At the age of 14, he began rapping with a high school friend, the two adopting the names "Manix" and "M&M," which soon morphed into Eminem. Under this name, Mathers entered battle rapping, a struggle dramatized in the fictionalized 8 Mile. Initially, the predominantly Black audience didn't embrace him, but soon his skills earned him a reputation, and he was recruited to join several rap groups. The first of these was the New Jacks, and after they disbanded, he joined Soul Intent, who released a single in 1995. This track also featured <a href="spotify:artist:1W7G3vXPeISR3Oi9ggVfyE">Proof</a>, and the two rappers broke off on their own to form <a href="spotify:artist:5Qi4Bb7a8C0a00NZcA77L0">D-12</a>, a six-member crew that functioned more as a <a href="spotify:artist:34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a>-styled collective than a regularly performing group. As he was struggling to establish his career, Eminem and his girlfriend Kim had a daughter, Hailey, forcing him to spend less time rapping and more time providing for his family. He assembled his first album, Infinite, which received some underground attention in 1996, not all of it positive. After its release, Eminem developed his Slim Shady alter ego, a persona that freed him to dig deep into his dark id, something he needed as he faced a number of personal upheavals, beginning with a bad split with Kim, which led him to move in with his mother and increase his use of drugs and alcohol, capped off by an unsuccessful suicide attempt. All this sturm und drang was channeled into The Slim Shady EP, which is where he first demonstrated many of the quirks that became his trademark, including his twitchy, nasal rhyming and disturbingly violent imagery. The Slim Shady EP opened many doors, the most notable being a contract with <a href="spotify:search:label%3A%22Interscope+Records%22">Interscope Records</a>. After Eminem came in second at the 1997 Rap Olympics MC Battle in Los Angeles, <a href="spotify:search:label%3A%22Interscope%22">Interscope</a> head Jimmy Iovine sought him out, giving the EP to <a href="spotify:artist:6DPYiyq5kWVQS4RGwxzPC7">Dr. Dre</a>, who proved eager to work with Eminem. They quickly cut Em's <a href="spotify:search:label%3A%22Interscope%22">Interscope</a> debut in the fall of 1998 -- during which time Marshall reconciled with Kim and married her -- and The Slim Shady LP appeared early in 1999, preceded by the single "My Name Is." Both were instant blockbusters and Eminem became a lightning rod for attention, earning praise and disdain for his violent, satirical fantasias. He quickly followed The Slim Shady LP with The Marshall Mathers LP in the summer of 2000. By this point, there was little doubt that Eminem was one of the biggest stars in pop music: the album sold almost two million copies within the first two weeks of release, but Mathers felt compelled to tweak other celebrities, provoking pop stars in his lyrics, and <a href="spotify:artist:4xtWjIlVuZwTCeqVAsgEXy">Insane Clown Posse</a>'s entourage in person, providing endless fodder for the tabloids. This gossip blended with growing criticism about his violent and homophobic lyrics, and under this fire, he reunited his old crew, <a href="spotify:artist:5Qi4Bb7a8C0a00NZcA77L0">D-12</a>, releasing an album in 2001, then touring with the group. During this furor, he had his biggest hit in the form of the moody ballad "Stan." Performed at the Grammys as a duet with <a href="spotify:artist:3PhoLpVuITZKcymswpck5b">Elton John</a>, thereby undercutting some accusations of homophobia, the song helped Eminem cross over to a middlebrow audience, setting the stage for the ultimate crossover of 2001's 8 Mile. Directed by Curtis Hanson, best known as the Oscar-nominated director of L.A. Confidential, the gritty drama fictionalized Eminem's pre-fame Detroit days and earned considerable praise, culminating in one of his biggest hits with the theme "Lose Yourself," which won Mathers an Oscar. After all this, he retreated from the spotlight to record his third album, The Eminem Show. Preceded by the single "Without Me," it turned into another huge hit, albeit not quite as strong as its predecessor, and there were some criticisms suggesting that Eminem wasn't expanding his horizons much. Encore, released late in 2004, did reach into more mature territory, notably on the anti-<a href="spotify:artist:2JZbcOAw67koOHlFTjMeGX">George W. Bush</a> "Mosh," but most of the controversy generated by the album was for behind-the-scenes events: a bus crash followed by canceled dates and a stint in rehab. Rumors of retirement flew, and the 2005 appearance of Curtain Call: The Hits did nothing to dampen them, nor did the turmoil of 2006, a year that saw Mathers remarrying and divorcing Kim within a matter of four months, as well as the shooting death of <a href="spotify:artist:1W7G3vXPeISR3Oi9ggVfyE">Proof</a> at a Detroit club. During all this, Em did some minor studio work, but he soon dropped off the radar completely, retreating to his Detroit home. He popped up here and there, most notably debuting the hip-hop channel Shade 45 for Sirius Satellite Radio in September 2008, but it wasn't until early 2009 that he mounted a comeback with Relapse, an album whose very title alluded to some of Mathers' struggles with prescription drugs, but it also announced that after an extended absence, Slim Shady was back. While not quite a blockbuster, the album went platinum, and Eminem followed it at the end of the year with an expanded version of Relapse (dubbed Relapse: Refill) that added outtakes and new recordings. Recovery, initially titled Relapse 2, was issued in June 2010. The album debuted on top of the Billboard 200 chart, where it remained for five consecutive weeks, while its leadoff single, "Not Afraid," debuted on top of the magazine's Hot 100 singles chart. The year 2010 also brought Eminem back together with <a href="spotify:artist:6DVipHzYsPlIoA0DW8Gmns">Royce da 5'9"</a> under the <a href="spotify:artist:77IURH5NC56Jn09QHi76is">Bad Meets Evil</a> moniker. In turn, June 2011's Hell: The Sequel marked the release of their first EP as a duo (barring the previous month's release of key EP track "Fastlane" as a single) and was their first batch of new material since a 1999 double A-side. After an intense period of recording, Eminem announced in August 2013 that his next solo album would be a nostalgically themed set of new material entitled The Marshall Mathers LP 2, which landed in early November. The album featured the singles "Berzerk," "Rap God," and "Survival," plus the chart-topping hit "The Monster" with <a href="spotify:artist:5pKCCKE2ajJHZ9KAiaK11H">Rihanna</a>. In 2014, new tracks landed on the double-disc set Shady XV, which celebrated the <a href="spotify:search:label%3A%22Shady%22">Shady</a> label's 15th birthday. The singles "Phenomenal" and "Kings Never Die" featuring <a href="spotify:artist:4yiQZ8tQPux8cPriYMWUFP">Gwen Stefani</a> arrived a year later, both taken from the Southpaw soundtrack. Eminem resurfaced in October 2017 with a freestyle anti-Trump rap, which didn't appear on Revival, the December 2017 album that was filled with cameos, including appearances by <a href="spotify:artist:6vWDO969PvNqNYHIOW5v0m">Beyoncé</a> ("Walk on Water"), <a href="spotify:artist:6eUKZXaKkcviH0Ku9w2n3V">Ed Sheeran</a> ("River"), and <a href="spotify:artist:1KCSPY1glIKqW2TotWuXOR">P!nk</a> ("Need Me"). His seventh straight chart-topper, it ultimately failed to match the sales heights of past efforts, despite the international success of the "River" single. The next year, without warning, Eminem issued his surprise tenth album, Kamikaze. The set featured appearances by <a href="spotify:artist:6C1ohJrd5VydigQtaGy5Wa">Joyner Lucas</a>, <a href="spotify:artist:6DVipHzYsPlIoA0DW8Gmns">Royce da 5'9"</a>, and <a href="spotify:artist:3KedxarmBCyFBevnqQHy3P">Jessie Reyez</a>, as well as "Venom," from the film of the same name. In January 2020, he repeated this surprise-release approach with 11th studio album Music to Be Murdered By. The album featured production from <a href="spotify:artist:6DPYiyq5kWVQS4RGwxzPC7">Dr. Dre</a> and cameos from the now-usual host of special guests, this time featuring <a href="spotify:artist:3ZotbHeyVQKxQCPDJuQ4SU">Q-Tip</a>, <a href="spotify:artist:6eUKZXaKkcviH0Ku9w2n3V">Ed Sheeran</a>, <a href="spotify:artist:3jK9MiCrA42lLAdMGUZpwa">Anderson .Paak</a>, and the late <a href="spotify:artist:4MCBfE4596Uoi2O4DtmEMz">Juice Wrld</a>, among many others. The set debuted at number one on the Billboard charts and was re-released in expanded form in December under the title Music to Be Murdered By: Side B. In 2021, Eminem appeared on the <a href="spotify:artist:4utLUGcTvOJFr6aqIJtYWV">Skylar Grey</a> song "Last One Standing" along with <a href="spotify:artist:6AgTAQt8XS6jRWi4sX7w49">Polo G</a> and <a href="spotify:artist:4AA474G2hRfrHyGrfyDseO">Mozzy</a>. The track was featured on the soundtrack for the film Venom: Let There Be Carnage and cracked the Top 100 of the Billboard charts. 2021 also saw Eminem opening a spaghetti restaurant in Detroit, named Mom's Spaghetti after a line from "Lose Yourself." In February 2022, he performed alongside <a href="spotify:artist:6DPYiyq5kWVQS4RGwxzPC7">Dr. Dre</a>, <a href="spotify:artist:1XkoF8ryArs86LZvFOkbyr">Mary J. Blige</a>, <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a>, and others at the half-time show of Super Bowl LVI. That June, Eminem released "The King and I," a track he recorded with <a href="spotify:artist:5nLYd9ST4Cnwy6NHaCxbj8">CeeLo Green</a> for the soundtrack of <a href="spotify:artist:7HhTERkBV4Ot14KphgBfSh">Baz Luhrmann</a>'s <a href="spotify:artist:43ZHCT0cAZBISjO8DG9PnE">Elvis Presley</a> biopic, Elvis. "The King and I" was one of three new songs on Curtain Call 2, a 2022 compilation covering the singles Eminem had released since Curtain Call: The Hits. "From the D to the LBC," a collaboration with <a href="spotify:artist:7hJcb9fa4alzcOq3EaNPoG">Snoop Dogg</a>, was also featured on Curtain Call 2. In June of 2024, Eminem released his 12th studio LP The Death of Slim Shady (Coup de Grâce). The album largely centered around the concept of Marshall Mathers being kidnapped by his alter ego Slim Shady and fighting internally between these two sides of his personality. The album included production work from <a href="spotify:artist:6DPYiyq5kWVQS4RGwxzPC7">Dr. Dre</a>, <a href="spotify:artist:6GEykX11lQqp92UVOQQCC7">DJ Premier</a>, and <a href="spotify:artist:5CiGnKThu5ctn9pBxv7DGa">Benny Blanco</a>, as well as rap cameos from <a href="spotify:artist:0c173mlxpT3dSFRgMO8XPh">Big Sean</a>, <a href="spotify:artist:0sKsReKseslDlhxmbN6wLk">BabyTron</a>, <a href="spotify:artist:6U3ybJ9UHNKEdsH7ktGBZ7">JID</a>, and others. ~ Stephen Thomas Erlewine, Rovi

Whitney Houston

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2Pac

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Alicia Keys

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ABBA

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Bruno Mars

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Lady Gaga

Britney Spears

I Was Made for Lovin' You

Aaliyah

Beyoncé

About a half-hour into her 2019 concert documentary, HOMECOMING, Beyoncé Knowles says, “When I decided to do Coachella, instead of me pullin’ out my flower crown, it was more important that I brought our culture”—in this case, the homecoming rituals of historically Black colleges and universities in the American South. An incredible show, no doubt. But the real impact lay in realizing how few of the millions of people watching her had probably seen anything like it. Of course, this is what Beyoncé does. Few modern pop artists have worked as hard to put the culture and concerns of Black America in front of a broader audience, whether it’s civil rights (“Formation”), Black feminism (“***Flawless,” “Irreplaceable”), the collective pride of HBCU culture (HOMECOMING), or the liberations of disco and house music (RENAISSANCE). Entertainment, yes—but also a kind of ambassadorship. Born in 1981 and raised in Houston, she started singing and dancing as a child. (One teacher, Darlette Johnson, discovered she could sing when she started humming a song and Knowles finished it—a performance the shy Knowles wouldn’t reproduce until Johnson offered her a dollar.) In 1990, she joined Girl’s Tyme, which evolved into Destiny’s Child. Under the management of Knowles’ father, Mathew, they became one of the biggest forces in pop, blending the familiar comforts of the all-girl vocal group with notions of female empowerment, sisterhood, and a refreshingly contemporary mix of pop, R&B, and hip-hop (“Bills, Bills, Bills,” “Say My Name,” “Survivor,” “Soldier”). Her first solo feature was on a track by her future husband, JAY-Z (“’03 Bonnie & Clyde”), marking the beginning of a fertile partnership and a point of enduring public fascination. (The song was also helmed by a rising Chicago producer named Kanye West, who flipped a 2Pac sample—“Me and My Girlfriend”—into a desperado set piece.) From there, Knowles has been more or less unstoppable. As her fame has grown, her sound and approach have only gotten bolder, spawning intimate, relatively experimental albums like BEYONCÉ and Lemonade alongside celebrations like the JAY-Z collaboration EVERYTHING IS LOVE (credited to THE CARTERS) and 2022’s RENAISSANCE, which celebrated the liberated sound of queer disco and house. It isn’t just the music—which has crisscrossed from dancehall to soul ballads to New Orleans bounce to the chopped-and-screwed sound of her native Houston—but also the figure she cuts in the culture. Here’s a woman who sang at a presidential inauguration (2009, the Obamas, Etta James’ “At Last”), revealed her pregnancy in front of an audience of millions (2011, the MTV Video Music Awards, “Love on Top”), and joined ranks with Black Lives Matter (“Formation”) and feminism (“***Flawless”) when her high-profile status had all but exempted her; who name-checked figures like Jean-Michel Basquiat, Audre Lorde, and Cornel West for people who might otherwise not have encountered them. In 2017, she spoke on behalf of transgender rights, and later that year she gave former San Francisco 49ers quarterback Colin Kaepernick the Sports Illustrated Muhammad Ali Legacy Award, cementing her role as both pop star and public figure. “It was important to me that everyone that had never seen themselves represented felt like they were on that stage with us,” she said in HOMECOMING. “As a Black woman, I used to feel like the world wanted me to stay in my little box. And Black women often feel underestimated,” she explained in the movie. “I wanted everyone to feel thankful for their curves, their sass, their honesty—thankful for their freedom.”

Rihanna

Among the most popular and acclaimed artists in postmillennial contemporary music, Rihanna is also uncommonly dynamic, having mixed and matched pure pop, dancehall, R&B, EDM, and adult contemporary material throughout her career. She went supernova in 2005 with her boisterous debut single, "Pon de Replay," a worldwide hit, and was a near-constant presence in the upper reaches of global pop charts until she took a break from releasing music in the late 2010s. Through 2017, the native Barbadian headlined 11 number one hits, including "Umbrella" and "Only Girl (In the World)," singles that earned her two of her nine Grammy Awards. More than just a singles artist, Rihanna continually pushed ahead stylistically with her LPs, highlighted by the bold Good Girl Gone Bad (2007), the steely Rated R (2009), and the composed Anti (2016), all of which confounded expectations and placed within the Top Ten of the Billboard 200 with eventual multi-platinum certifications. Rihanna studded her secondary discography as a featured artist during this period with major crossover pop hits headlined by the likes of <a href="spotify:artist:3nFkdlSjzX9mRTtwJOzDYB">Jay-Z</a> ("Run This Town"), <a href="spotify:artist:7dGJo4pcD2V6oG8kP0tJRR">Eminem</a> ("Love the Way You Lie"), and <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a> ("LOYALTY."). She returned to the Top Ten in 2022 with the understated ballad "Lift Me Up," her first solo release in six years, recorded for the soundtrack of Black Panther: Wakanda Forever. Born Robyn Rihanna Fenty in Saint Michael, Barbados, Rihanna exhibited star quality as a child, often winning beauty and talent contests. Because she lived on a fairly remote island in the West Indies, however, she didn't foresee the global stardom she later attained. Her break came courtesy of a fateful meeting with <a href="spotify:artist:0kbIz7wAczMyXXs9tfdDNE">Evan Rogers</a>, writer and producer of pop hits for such big names as <a href="spotify:artist:6Ff53KvcvAj5U7Z1vojB5o">*NSYNC</a>, <a href="spotify:artist:1l7ZsJRRS8wlW3WfJfPfNS">Christina Aguilera</a>, <a href="spotify:artist:2tFN9ubMXEhdAQvdQxcsma">Jessica Simpson</a>, and <a href="spotify:artist:2y8Jo9CKhJvtfeKOsYzRdT">Rod Stewart</a>. The New Yorker was vacationing in Barbados with his wife, an island native, when he was introduced to an aspiring singing group that featured Rihanna. The trio performed for <a href="spotify:artist:0kbIz7wAczMyXXs9tfdDNE">Rogers</a>, who was then eager to work with Rihanna as a solo artist. After the fledgling singer recorded material with <a href="spotify:artist:0kbIz7wAczMyXXs9tfdDNE">Rogers</a> in the U.S. and signed with <a href="spotify:search:label%3A%22SRP%22">SRP</a> (Syndicated Rhythm Productions), operated by <a href="spotify:artist:0kbIz7wAczMyXXs9tfdDNE">Rogers</a> and partner Carl Sturken, she sparked the interest of the Carter Administration -- that is, the newly appointed <a href="spotify:search:label%3A%22Def+Jam%22">Def Jam</a> president <a href="spotify:artist:3nFkdlSjzX9mRTtwJOzDYB">Shawn "Jay-Z" Carter</a>. Following an audition, Rihanna accepted an on-the-spot offer to sign with the major label. Come May 2005, <a href="spotify:search:label%3A%22Def+Jam%22">Def Jam</a> rolled out "Pon de Replay," Rihanna's first single and the lively introduction to the full-length Music of the Sun. Produced almost entirely by <a href="spotify:artist:0kbIz7wAczMyXXs9tfdDNE">Rogers</a> and Sturken, the song synthesized Caribbean rhythms with pop-R&B songwriting. "Pon de Replay" caught fire almost immediately and peaked at number two on the Billboard Hot 100, denied the top spot by <a href="spotify:artist:4iHNK0tOyZPYnBU7nGAgpQ">Mariah Carey</a>'s "We Belong Together." Music of the Sun, released that August, spawned a Top 40 placement with "If It's Lovin' That You Want" and ranged stylistically from a remake of <a href="spotify:artist:6mLXvSt7Xxy2r9uBba1O6Z">Dawn Penn</a>'s rocksteady-styled crossover hit "You Don't Love Me (No, No, No)" (featuring dancehall star <a href="spotify:artist:2NUz5P42WqkxilbI8ocN76">Vybz Kartel</a>) to the <a href="spotify:artist:6vWDO969PvNqNYHIOW5v0m">Beyoncé</a>-like "Let Me" (co-produced by emergent duo <a href="spotify:artist:7KUri7klyLaIFXLcuuOMCd">Stargate</a>). Music of the Sun was only eight months old when Rihanna followed up in April 2006 with A Girl Like Me. It showed that the singer wasn't a fluke success and could also stretch out, laced with three dissimilar hits. "SOS," high-gloss dance-pop with a sample of <a href="spotify:artist:6aq8T2RcspxVOGgMrTzjWc">Soft Cell</a>'s version of "Tainted Love," topped the Hot 100. "Unfaithful," her first big ballad, and "Break It Off," an electro-dancehall hybrid (with <a href="spotify:artist:3Isy6kedDrgPYoTS1dazA9">Sean Paul</a>), became her third and fourth Top Ten pop singles. Superstar status was attained with Good Girl Gone Bad, an album that built on Rihanna's commercial momentum and developed into a blockbuster. Released in May 2007 and "reloaded" with additional material the following June, its lengthy promotional campaign yielded several chart-topping singles and boasted collaborations with A-listers such as <a href="spotify:artist:3nFkdlSjzX9mRTtwJOzDYB">Jay-Z</a>, <a href="spotify:artist:21E3waRsmPlU7jZsS13rcj">Ne-Yo</a>, <a href="spotify:artist:5Y5TRrQiqgUO4S36tzjIRZ">Timbaland</a>, and <a href="spotify:artist:31TPClRtHm23RisEBtV3X7">Justin Timberlake</a>. Lead single "Umbrella," co-written by <a href="spotify:artist:1W3FSF1BLpY3hlVIgvenLz">the-Dream</a> and Christopher "Tricky" Stewart, sounded like nothing else on the airwaves and shot to number one, as did "Take a Bow" and "Disturbia," while "Hate That I Love You" and "Don't Stop the Music" added to the tally of Top Ten entries. "Umbrella" gave Rihanna her first Grammy win for Best Rap/Sung Collaboration. The album was on its way to triple-platinum status by October 2009, when Rihanna set the dark and provocative tone for fourth album Rated R with "Russian Roulette," another <a href="spotify:artist:21E3waRsmPlU7jZsS13rcj">Ne-Yo</a> collaboration and Top Ten single. Abused lover, dominatrix, and murderer were among the perspectives Rihanna offered throughout the album, released that November. Even the additional Top Ten hits "Hard" and "Rude Boy" -- the latter her fifth number one -- were stern in demeanor, making the early hits sound like the work of a significantly more complex artist. While Rated R was riding high, <a href="spotify:artist:3nFkdlSjzX9mRTtwJOzDYB">Jay-Z</a>'s "Run This Town," with Rihanna on the intro and hook, won Grammys for Best Rap Song and Best Rap/Sung Collaboration. Annual studio albums, each one with a November release date and a broad range of light and dark material covering EDM, contemporary R&B, adult contemporary, dancehall, and straight-up pop, continued well into the following decade. In 2010, just after <a href="spotify:artist:7dGJo4pcD2V6oG8kP0tJRR">Eminem</a> featured her on the diamond platinum "Love the Way You Lie," there was Loud. Led by the <a href="spotify:artist:7KUri7klyLaIFXLcuuOMCd">Stargate</a>-produced "Only Girl (In the World)," eventually a Grammy winner for Best Dance Recording, it was sustained with additional Hot 100 toppers "What's My Name?" (featuring <a href="spotify:artist:3TVXtAsR1Inumwj472S9r4">Drake</a>) and "S&M." Talk That Talk was heralded in 2011 with Rihanna's most triumphant single, "We Found Love," on which she collaborated with <a href="spotify:artist:7CajNmpbOovFoOoasH2HaY">Calvin Harris</a>. After she nabbed yet another Best Rap/Sung Collaboration Grammy, this time for her role on <a href="spotify:artist:5K4W6rqBFWDnAN6FQUkS6x">Kanye West</a>'s "All of the Lights," the streak concluded, and culminated, with the 2012 set Unapologetic. Her first LP to top the Billboard 200 (after all of the previous six had gone Top Ten), it also became her first to win a Grammy for Best Urban Contemporary Album. "Diamonds," the anthemic and inspirational standout among some of Rihanna's brashest moments, became her tenth number one pop hit and 18th to peak within the Top Ten. Within a span of three years, Rihanna had released her fourth through seventh albums. An equal amount of time passed prior to the release of her eighth full-length. In 2013, she lengthened her list of chart accolades as a featured artist with an assist on <a href="spotify:artist:7dGJo4pcD2V6oG8kP0tJRR">Eminem</a>'s "The Monster," which became her 25th Top Ten hit as a lead or featured artist, went to number one, and led to her fourth Best Rap/Sung Collaboration Grammy. No longer with <a href="spotify:search:label%3A%22Def+Jam%22">Def Jam</a> -- a deal had been signed with <a href="spotify:search:label%3A%22Roc+Nation%22">Roc Nation</a> via <a href="spotify:artist:3nFkdlSjzX9mRTtwJOzDYB">Jay-Z</a>, who left <a href="spotify:search:label%3A%22Def+Jam%22">Def Jam</a> several years earlier -- Rihanna released non-album singles throughout 2015, beginning with the unembellished "FourFiveSeconds," an unlikely matchup with <a href="spotify:artist:4STHEaNw4mPZ2tzheohgXB">Paul McCartney</a> and <a href="spotify:artist:5K4W6rqBFWDnAN6FQUkS6x">Kanye West</a> that reached number four. "American Oxygen" didn't flourish as much from a commercial standpoint but upon release became one of her most remarkable recordings, a dignified ballad with a personal, pro-immigration theme. Album eight, the strikingly composed Anti, became Rihanna's second consecutive number one album following its January 2016 arrival. She partnered again with <a href="spotify:artist:3TVXtAsR1Inumwj472S9r4">Drake</a>, resulting in another number one hit with "Work." "Needed Me," a buzzing slow jam cooked up with a production team including <a href="spotify:artist:0YinUQ50QDB7ZxSCLyQ40k">DJ Mustard</a> and <a href="spotify:artist:6cKkRS7JwVT2K3rCCnOHyk">Kuk Harrell</a>, and "Love on the Brain," a throwback soul belter involving <a href="spotify:artist:6cKkRS7JwVT2K3rCCnOHyk">Harrell</a> and Fred Ball, entered the Top Ten as well. Those who missed the comparative lack of high-spirited exuberance in Anti were placated across 2016 and 2017 with Rihanna's guest appearances on <a href="spotify:artist:7CajNmpbOovFoOoasH2HaY">Calvin Harris</a>' "This Is What You Came For" and <a href="spotify:artist:5wPoxI5si3eJsYYwyXV4Wi">N.E.R.D.</a>'s "Lemon." Meanwhile, <a href="spotify:artist:3TVXtAsR1Inumwj472S9r4">Drake</a>, <a href="spotify:artist:1RyvyyTE3xzB2ZywiAwp0i">Future</a>, <a href="spotify:artist:0QHgL1lAIqAw0HtD7YldmP">DJ Khaled</a>, and <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a> likewise profited from Rihanna's featured spots. <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Lamar</a>'s "LOYALTY." made Rihanna a five-time winner of the Grammy for Best Rap/Sung Collaboration, setting a record for women artists in that category. Apart from a featured appearance on <a href="spotify:artist:2HPaUgqeutzr3jx5a9WyDV">PartyNextDoor</a>'s 2020 single "Believe It," Rihanna wasn't behind any new music for several years, as she focused her efforts on her Fenty cosmetics and fashion empire and started a family. She returned in October 2022 with "Lift Me Up" from the soundtrack of Ryan Coogler's Black Panther: Wakanda Forever. The ballad, written by Rihanna with producer <a href="spotify:artist:24eDfi2MSYo3A87hCcgpIL">Ludwig Göransson</a>, <a href="spotify:artist:687cZJR45JO7jhk1LHIbgq">Tems</a>, and Coogler, entered the Hot 100 at number two. ~ Andy Kellman & Jason Birchmeier, Rovi