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Romance
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Nothing Happens
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5 Seconds of Summer
5 Seconds of Summer

Priscilla
Original Motion Picture Soundtrack

AM
Arctic Monkeys

Decide
Djo

Pride and Prejudice
Original Motion Picture Soundtrack

Twenty Twenty
Djo

HIT ME HARD AND SOFT
Billie Eilish

Grace
Jeff Buckley

2
Mac DeMarco
books
Oranges Are Not the Only Fruit
Jeanette Winterson · 1997

Inlands
Elin Willows · 2020

Diary of a Film
Niven Govinden · 2021

The Secret Lives of Church Ladies
Deesha Philyaw · 2022

Cursed Bunny
Bora Chung · 2021

Critical Injuries
Joan Barfoot · 2002

Violets
Alex Hyde · 2022

Carrie Soto Is Back
Jenkins Reid Taylor · 2023

Funny You Should Ask
Elissa Sussman · 2022

The Ex Talk
Rachel Lynn Solomon · 2021
An Instant Indie Bestseller Public radio co-hosts navigate mixed signals in Rachel Lynn Solomon's sparkling romantic comedy debut. Shay Goldstein has been a producer at her Seattle public radio station for nearly a decade, and she can't imagine working anywhere else. But lately it's been a constant clash between her and her newest colleague, Dominic Yun, who's fresh off a journalism master's program and convinced he knows everything about public radio. When the struggling station needs a new concept, Shay proposes a show that her boss green-lights with excitement. On The Ex Talk, two exes will deliver relationship advice live, on air. Their boss decides Shay and Dominic are the perfect co-hosts, given how much they already despise each other. Neither loves the idea of lying to listeners, but it's this or unemployment. Their audience gets invested fast, and it's not long before The Ex Talk becomes a must-listen in Seattle and climbs podcast charts. As the show gets bigger, so does their deception, especially when Shay and Dominic start to fall for each other. In an industry that values truth, getting caught could mean the end of more than just their careers.

My Life in Sea Creatures
Sabrina Imbler · 2022

Sing Like Fish
Amorina Kingdon · 2024

Feeding the Monster: Why Horror Has a Hold on Us
Anna Bogutskaya · 2024
<p><i>Zombies want brains. Vampires want blood. Cannibals want human flesh.</i> All <i>monsters need feeding.</i><br> <br> Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of <i>The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets</i> and countless other horror films and TV series over the last few years, loving the genre still prompts the question: <i>what's wrong with you?</i> Implying, of course, that there is something <i>not quite right</i> about the people who make and consume it. In <i>Feeding the Monster</i>, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.</p>

The Illusionist
Dinitia Smith · 1999
When charming magician Dean Lily shows up in a decaying small town, he wins the hearts of the women of the town—but what they don't know is that Dean has more secrets and tricks than a simple sleight of hand.<br/><br/>The Illusionist is the sensuous and haunting tale of Dean Lily, an amateur magician whose arrival in Sparta, New York, upsets the landscape of this small town on the wane. Dean, a master of the sleight of hand, is also a master of seduction and charm—which becomes apparent as he woos and wins the hearts of more than one of Sparta's female citizens.<br/><br/>But the enigmatic newcomer has more to hide than the tricks of his trade—his mysterious identity as a transgendered person, and his closely guarded privacy arouse suspicion and jealousy—and while he cures Sparta of its midwinter ennui, he also unleashes a destructive force that rocks the foundations of this town to its core. Inspired in part by a true story, The Illusionist is a fiercely erotic novel that thwarts conventions of gender and love.

It
Alexa Chung · 2013

Sofia Coppola: The Politics of Visual Pleasure
Anna Backman Rogers · 2018
A feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films.<br/>A Choice Outstanding Academic Title 2019<br/>“With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work… Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”―Bright Lights Film Journal<br/>All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films.<br/>Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy.<br/>From the Introduction:<br/>Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context…. This monograph is an extended study of Coppola’s outstanding ability to think through and in images.

The Unabridged Journals of Sylvia Plath
Sylvia Plath · 2000

Three-Martini Afternoons at the Ritz
Gail Crowther · 2022
"A dual biography of poets, friends, and rivals Sylvia Plath and Anne Sexton"--

Spirals in Time: The Secret Life and Curious Afterlife of Seashells
Helen Scales · 2015

Seven Cats I Have Loved
Anat Levit · 2022









